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  • News & article

    Songs for life, for life

    B Magazine, Chanun Poomsawai, Published on 28/06/2020

    » Say what you will about Carabao and their sometimes questionable politics, there's no denying that they remain one of the most influential phleng phuea chiwit (songs for life) pioneers Thailand has ever seen.

  • News & article

    Same strokes, just a little older

    B Magazine, Chanun Poomsawai, Published on 19/04/2020

    » "Up on a hill, here's where we begin/ This little story, a long time ago," Julian Casablancas sings on The Modern Age, one of the three tracks on The Strokes' 2001 eponymous debut EP, a precursor to the group's seminal full-length, Is This It.

  • News & article

    On her own terms

    B Magazine, Chanun Poomsawai, Published on 28/07/2019

    » Born and raised in Kuala Lumpur, Malaysia, Yunalis Zara'ai, aka Yuna, has come a long way since her MySpace days and her 2012 Pharrell Williams-produced self-titled debut. While her early materials exist mostly in the dreamy realm of folk-infused indie-pop, her subsequent output has crossed over into the R&B/hip-hop territory in a way that not many pop upstarts could pull off (her third international studio album, Chapters, welcomes guest appearances from some of the biggest names in R&B like Usher and Jhené Aiko).

  • News & article

    With wild abandon

    B Magazine, Chanun Poomsawai, Published on 09/06/2019

    » Over the course of nearly a decade, we have on more than one occasion gushed about how UK outfit Wild Beasts were top-shelf purveyors of erudite indie-rock. Even though they regrettably called it quits in 2017, they remain one of the very few rock bands who managed to strike an impeccable balance between indie and art-rock. Ranging from baroque to barbaric, their five-album discography charts leftfield territories with strutting confidence. Not many rock bands are able to incorporate geeky literary allusions into their songwriting and still look pretty damn cool doing it.

  • News & article

    Anthems for the end of the world

    B Magazine, Chanun Poomsawai, Published on 24/03/2019

    » If you happen to recall the indie explosion that came and went during the mid-noughties, you're most likely to recall how UK math-rockers Foals were perched right on the forefront alongside the now-nowhere-to-be-found groups like Kasabian, Hard-Fi and Maxïmo Park. Although not the first band to come up with it, they're largely responsible for spreading the gospel of that intricate, tightly-wound guitar work that's gone on to more or less define the genre. Over time, the Foals' signature hectic romp that was the backbone of their 2008 landmark debut, Antidotes, has transformed into something a little more polished and more mature. Subtle sonic shifts can already be detected on their second LP, Total Life Forever (how much of a revelation is Spanish Sahara?), and even more so on the subsequent records, the unabashedly potent Holy Fire and What Went Down.

  • News & article

    Tomorrow Starts Today

    B Magazine, Chanun Poomsawai, Published on 24/02/2019

    » From returning to college, starring in the Netflix series The OA and getting pregnant, New York-based singer-songwriter Sharon Van Etten has had a busy few years prior to the arrival of her fifth studio outing, Remind Me Tomorrow. The record, helmed by indie rock's go-to producer John Congleton (St. Vincent, Future Islands, Unknown Mortal Orchestra), reflects those changes in her life via a stylistic shift that emphasises less on the guitars, but more on other instruments like synths, pianos and even occasional drones.

  • News & article

    Getting a bit too close to the sun

    B Magazine, Chanun Poomsawai, Published on 13/11/2016

    » The synth pop duo's latest album lets their flamboyant personas do the heavy lifting

  • News & article

    Life after artpop

    B Magazine, Chanun Poomsawai, Published on 30/10/2016

    » Mother Monster sheds her glossy facade to reveal an adept musician, singer and songwriter.

  • News & article

    When dreams become nightmares

    B Magazine, Chanun Poomsawai, Published on 22/05/2016

    » M83's seventh studio LP defies expectations with a quirky '80s throwback sound, but is likely to put off long-time fans

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