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» Jakrawal Nilthamrong's Vanishing Point is a story of loss, death, alternative destinies and reminiscence of sadness. It floats a few inches above the ground, it connects, disconnects and reconnects lives and fates, sometimes in a dissonant manner, and even though you may scratch your head wondering what exactly is going on, the film's semi-experimental style and narrative rupture has a strange intoxication.
» This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.
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