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  • OPINION

    Funeral books shed light on People's Party

    News, Suthachai Yimprasert, Published on 24/06/2017

    » The 1932 memorial plaque incident is a key political event that we will be commemorating in what is a markedly different atmosphere relative to years past.

  • LIFE

    Self-reflective play examines universal truths

    Life, Amitha Amranand, Published on 30/03/2017

    » Sineenadh Keitprapai and Thanaphon Accawatanyu, two generations of theatre artists, share stories of their dreams, homes and growing up and older in a touching, if not entirely satisfying, collaborative performance, Young Yao (Immature: Adult And Childish Sometimes).

  • LIFE

    Gruesome torture relived with both barrels

    Life, Amitha Amranand, Published on 06/11/2014

    » Almost right after I watched Teerawat "Kage" Mulvilai's solo performance Satapana: Iceberg, I came across Chinese artist Liu Bolin's Hiding In The City performance/photographic series in a book entitled Liu Bolin.

  • LIFE

    The truth behind the facade

    Life, Kaona Pongpipat, Published on 15/10/2015

    » At a time when freedom of expression is becoming increasingly constrained, whether one is just an internet user, a filmmaker or an activist, experimental theatre troupe B-Floor is as relentless as ever. After Ornanong Thaisriwong's solo performance Bang La Merd earlier this year was attended by military officers, B-Floor is back under the directorial helm of Teerawat Mulvilai in Manoland.

  • LIFE

    Pretty is as pretty does

    Life, Kaona Pongpipat, Published on 04/09/2014

    » In response to Christopher Marlowe's line in Doctor Faustus, "Was this the face that launch'd a thousand ships", performer Sasapin Siriwanij is saying "no".

  • LIFE

    Lessons from the trenches

    Life, Kaona Pongpipat, Published on 16/07/2015

    » Through movements with a bit of monologue and dialogue, B-Floor's Sarut Komalittipong and Sasapin Siriwanij present their debut directorial production WW101 on the occasion of the 101st anniversary of the World War I. The idea began when the two directors travelled to Europe, visiting the Dachau concentration camp and realising how little they actually knew about the World Wars.

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