Showing 1-10 of 391 results
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Post-apocalyptic survival
Life, Kaona Pongpipat, Published on 18/09/2015
» Hitting cinemas in Thailand yesterday, Maze Runner: The Scorch Trials, a sequel to the film series by director Wes Ball based on James Dashner's young-adult science fiction trilogy, is a direct continuation from its first instalment last year, which earned over US$345.5 million (12 billion baht) at the box office worldwide.
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Feel the fear, again
Life, Kaona Pongpipat, Published on 23/03/2017
» Short review of Yuree Kensaku's "New Paintings" as the second phase of her "Atmosfear" exhibition at 100 Tonson Gallery: an anticlimax.
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Unveiling layers of himself
Life, Kaona Pongpipat, Published on 08/02/2017
» A photography show on display at Bangkok Art and Culture Centre's Studio room on the fourth floor is anything but pictorial in the traditional sense. Confronting viewers right after entering is a collage of shots arranged together, kaleidoscope-like. Nearby, four images placed together capture the photographer's motion while walking. Further inside, the photographer's self-portrait is ghostly transparent as a result of an experiment with long exposure.
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Decking the walls
Life, Kaona Pongpipat, Published on 15/02/2017
» Bangkok's three newest art spaces - ApArt, Future Factory and Most Gallery.
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The art of activism
Life, Kaona Pongpipat, Published on 20/02/2017
» The Thai arts scene has become more politically engaging in the past couple of years. The 2014 coup, of course, has been the most significant transition point in this respect. Before, it was very much about making sense of the colour-coded divide, trying to get into the mentality behind such ideological conflict. In the post-coup era, however, it can be said that the ideas and interests have become somewhat more unified. Artists have become increasingly aware of and responded more to the authoritarian power and the climate of fear and rights restriction.
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Art history
Life, Kaona Pongpipat, Published on 02/03/2017
» Montien Boonma, one of Thailand's most significant contemporary artists, died almost 17 years ago. The last time we had a proper glimpse of his art was in 2013 with "[Montien Boonma]: Unbuilt/Rare Works", a show by the Jim Thompson Art Centre and the Thai Art Archives in which his personal collection of documents, sketchbooks, notebooks, printed matter, photographs and video footage along with other related materials were put on display.
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Supermarket satire
Life, Kaona Pongpipat, Published on 10/03/2017
» To celebrate the 160th anniversary of Thai-Japanese diplomatic relations, the Japan Foundation Bangkok is presenting renowned Japanese playwright and director Toshiki Okada's Super Premium Soft Double Vanilla Rich at Chulalongkorn University's Sodsai Pantoomkomol Centre for Dramatic Arts until Sunday.
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Freedom, creatively speaking
Life, Kaona Pongpipat, Published on 22/02/2017
» In many ways, "Condemned To Be Free", a duo exhibition which just opened last week at WTF Gallery, is in a constant state of flux. On the first floor, artist Kritsada Duchsadeevanich looks simultaneously at the transformation of his own political ideology and that of the country's political history. On the upper floor, painter Tawan Wattuya leaves out his watercolours and turns the gallery into an experimental space where the lines between art and activism, the authority of an artist and voice of ordinary people, are blurred.
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Jelly good show
Muse, Kaona Pongpipat, Published on 04/03/2017
» For Sam Bompas and Harry Parr, it all began with making jelly just for fun after school and on weekends. More than a decade later, it's still about that, except that the duo are now among the world's most prominent and innovative event organisers.
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Guns and roses
Life, Kaona Pongpipat, Published on 04/01/2017
» The atmosphere at the Jim Thompson Art Center is seemingly intimidating. Two larger-than-life rifles stand threateningly tall. In a 24-channel video installation, entitled The Game, we see military-clad twin brothers on a motorcycle, rifles in hands.
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