Showing 1-10 of 22 results
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Butterflies and solitude
Life, Kaona Pongpipat, Published on 20/05/2015
» The opening of 100 Tonson Gallery's "Chatchai Puipia: Sites Of Solitude. Still-Life, Self-Portraiture, And The Living Archive" last month seemed to have been an unmissable event for every prominent figure in the Bangkok art scene, except for Chatchai himself. It's not that there was something urgent he had to attend to; he had no intention of going, not when the show was being set up, nor when it was running.
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Chart-ing Facebook
Life, Kaona Pongpipat, Published on 16/05/2016
» It has been eight years since writer Chart Kobjitti, national artist and two-time SEA Write Award winner, published his book Lorm Wong Khui, a collection of articles written for Si San magazine. Eight years is a long time, especially for fans of various generations who literally grew up with his writing, from the cursed life of Ai-fak in 1981's Khamphiphaksa (The Judgement) that won his first SEA Write award, and the tumultuous story of life, friendship and lots of booze in 1988's Phan Ma Ba, to a miserable account of age and death in a nursing home in 1993's Wela (Time), for which he won the award once again.
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Unseen and not heard in the city
Life, Kaona Pongpipat, Published on 04/05/2016
» The massive space on the seventh floor of Bangkok Art and Culture Centre is now filled with a series of grainy and greyish photographs. Viewers should be warned that the experience there can be rather disorientating; not only are the photos random, they seem to have been arranged almost impulsively. Entitled "Omnivoyeur And Electrical Walks Bangkok", these photographs by Miti Ruangkritya only make up one part of the show, which is only complete when sounds by German sound artist Christina Kubisch are added.
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Constant flux
Life, Kaona Pongpipat, Published on 14/12/2016
» Bangkok Art and Culture Centre hasn't seen this many visitors in quite a while. Today people are everywhere in the exhibition space on the 9th floor even though it is a weekday afternoon. They have never been so involved with the artworks on display and careless as to what other visitors might think of them.
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Decking the walls
Life, Kaona Pongpipat, Published on 15/02/2017
» Bangkok's three newest art spaces - ApArt, Future Factory and Most Gallery.
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Abstractions and acquaintances
Life, Kaona Pongpipat, Published on 09/03/2016
» As the title "Dusadee + Dusit + Lovers + Dead Ones" suggests, Dusadee Huntrakul's current exhibition at Chulalongkorn University's The Art Center is not exactly a solo show, but a bit of a reunion.
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Blue-blood gets a taste for your blood
Life, Kaona Pongpipat, Published on 09/02/2016
» When Chulachak Chakrabongse speaks, he rarely looks your way. He could be drifting or struck by sheer boredom, but you are never offended. You're busy wondering what to make of his presence: as teen star that he once was, as a father of two, as great-great-grandson of King Rama V, as 34-year-old blues rock star "Hugo", who was with Jay-Z's Roc Nation label. Or now, in a rather unexpected turn of career path, as Count Dracula in a stage play production of Bram Stoker's classic.
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Don't be afraid to have fun
Life, Kaona Pongpipat, Published on 11/02/2016
» With cartoons, it's her recreation of incidents -- with simple drawings and snappy dialogue -- which draw our attention to the significance that lies hidden in the mundane. With her illustrations -- oftentimes incredibly detailed and reminiscent of Martin Handford's Where's Wally? series -- there is an in-depth knowledge about Thai society and characters of people that is colourfully imbued.
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Picture of a genius
Life, Kaona Pongpipat, Published on 04/11/2015
» 'He was nothing else but just a painter," said Pablo Picasso's grandson Olivier Widmaier Picasso. It was only when Picasso died, in 1973, that he started to realise how important his grandfather was, not just to the art scene, but to the world.
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All the king's men: Naii Nai staged as The Gentlemen
Life, Kaona Pongpipat, Published on 29/01/2015
» Unfortunately, Pichet Klunchun will not appear onstage in a reproduction of his dance performance Naii Nai which begins tomorrow at Chulalongkorn University's Sodsai Pantoomkomol Centre of Dramatic Arts. Other changes from last year's staging in Singapore with TheatreWorks include the title, which has changed to The Gentlemen, and the performance's narrative, which has been rendered more conventional.
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