Showing 1-10 of 50 results
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Farewell to a maestro
Life, John Clewley, Published on 10/04/2024
» The world of molam has been in mourning since news emerged that Thailand's greatest phin player Thongsai Thap Thanon passed away on March 20 at his home in Warin Chamrap district, Ubon Ratchathani, at the age of 77. The phin is a two- or three-stringed Isan Lao lute that is part of the trinity of molam instruments, along with the iconic khaen (free reed bamboo mouth organ) and the sor (fiddle).
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Echoes of Isan
Life, John Clewley, Published on 12/03/2024
» Sombat Simla is one of Thailand's top khaen players. He's been bending the notes of his khaen baet (eight rows of double pipes, sixteen in total) for more than 50 years.
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A joyous sound
Life, John Clewley, Published on 07/11/2023
» In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.
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Country comes to the city
Life, John Clewley, Published on 31/01/2023
» The All-Thidsa Molam Band was in Bangkok this past weekend to perform at the Thailand International Jazz Conference. World Beat caught up with band last Friday when they played two sets at Isan Spicy BBQ, a rooftop bar at the Jim Thompson Art Center.
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Spellbinding collaboration proves less is more
Life, John Clewley, Published on 21/06/2022
» I once had the rare privilege to see the great bluesman and songwriter Earl King, who wrote the New Orleans Mardi Gras anthem Big Chief, perform in a small club in Tokyo. Before he took to the stage another band performed, with a well-known young blues guitarist playing fast action licks and riffs at breakneck speed. In complete contrast, when Earl King played guitar he played far fewer notes, paring down the music to its essentials. I can still remember King's playing, but I can't recall anything the young pretender played.
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Songs of hope
Life, John Clewley, Published on 07/06/2022
» The award-winning Canadian-Czech singer and composer Lenka Lichtenberg was going through her mother's effects in 2016 in Prague when she made a startling discovery. She found two small notebooks that belonged to her artist grandmother, Anna Hana Friesova (1901-1987). Inside each notebook, small enough to fit into a back pocket, were poems written while she was imprisoned in the Terazin (Theresienstadt) concentration camp during WWII.
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The craic was 90
Life, John Clewley, Published on 15/03/2022
» Bangkok's resident Irish music expert Prof Mick Moloney recently journeyed back to his old stomping ground in New York to perform with his musical mates at the annual Irish Heritage Concert at St Patrick's Cathedral. The concert is held each year to celebrate St Patrick's Day. This year it was held on March 10.
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Saying goodbye to cultural giants
Life, John Clewley, Published on 18/01/2022
» The world of Thai country music (pleng luk thung) was reeling from news of the death of luk thung legend and National Artist Waipoj Phetsupan last Wednesday. Waipoj, 79, was one of the Big Four central Thai luk thung stars -- Chaichana Boonachote, Chai Muang Singh and Kwanjit Sriprachan, all National Artists, are the others -- all of whom are masters of all the central folk styles.
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A modern-day bard
Life, John Clewley, Published on 07/12/2021
» John Cooper Clarke, Britain's "punk poet" has had an interesting life. Now 72, the "Bard Of Salford" recalls the highs (and there were a lot) and lows in a rambling, funny autobiography, I Wanna Be Yours (Picador), which was published in 2020.
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Tracing the roots of The Big Easy's groove
Life, John Clewley, Published on 23/11/2021
» In March 1947, pianist and singer Cecil Grant heard Roy Brown sing Good Rockin' Tonight during a break at a small club in New Orleans. He was so taken with the song, he called the owners of De Luxe Records and had Brown sing the song over the phone. Brown was quickly signed with the label and recorded the song at J&M Studio with producer Cosimo Matassa.
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