Showing 1-10 of 13 results
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Art to float your boat
Life, Kaona Pongpipat, Published on 17/08/2016
» A watermelon is in the centre of the screen, and we watch it being gradually squeezed as two pairs of hands continuously put rubber bands around it. On another screen, a woman is in the middle of nowhere and suddenly takes out a toaster before hurling it away with all her strength like a hammer throw.
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Sense behind the madness
Life, Kaona Pongpipat, Published on 08/07/2016
» One is either enthralled, frustrated or confused by Apichatpong Weerasethakul's films. It's possibly a reflex of a complex and conflicting emotion -- you are not sure whether it's yourself as an audience or Apichatpong as a filmmaker that inspire those reactions.
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Picture-perfect
Life, Kaona Pongpipat, Published on 01/06/2016
» Bangkok-based Japanese artist Soichiro Shimizu's latest exhibition, "Re-Looks", is a re-look both at his own art practice and at fellow artists he admires. Currently displayed in the elegant, well-lit YenarkArt Villa is a series of photographs which appear to have gone through practically almost every Photoshop function -- cropped, stretched, resized and collaged -- to the point of total abstraction.
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Unseen and not heard in the city
Life, Kaona Pongpipat, Published on 04/05/2016
» The massive space on the seventh floor of Bangkok Art and Culture Centre is now filled with a series of grainy and greyish photographs. Viewers should be warned that the experience there can be rather disorientating; not only are the photos random, they seem to have been arranged almost impulsively. Entitled "Omnivoyeur And Electrical Walks Bangkok", these photographs by Miti Ruangkritya only make up one part of the show, which is only complete when sounds by German sound artist Christina Kubisch are added.
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Out of the darkroom
Life, Kaona Pongpipat, Published on 23/09/2015
» One doesn't know where to begin, and with what sort of mood, with "Rediscovering Forgotten Thai Masters Of Photography".
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Post-apocalyptic survival
Life, Kaona Pongpipat, Published on 18/09/2015
» Hitting cinemas in Thailand yesterday, Maze Runner: The Scorch Trials, a sequel to the film series by director Wes Ball based on James Dashner's young-adult science fiction trilogy, is a direct continuation from its first instalment last year, which earned over US$345.5 million (12 billion baht) at the box office worldwide.
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The food stylist
Muse, Kaona Pongpipat, Published on 12/09/2015
» Paweethida Tanjasiri's som tum doesn’t look like any we’ve ever seen before. Her chops of string beans are of a purplish hue and the sliced tomatoes vary in colour. Along with the usual beans and dried shrimps, corn kernels, pomegranate seeds and slices of beetroot are dotted against the white wide-rim plate. Fear not, the 26-year-old is not a radical, nor an antinationalist trying to undermine what has long been part of our culinary identity, however, but a food stylist.
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Becoming blissfully aware
Life, Kaona Pongpipat, Published on 08/05/2015
» Jenjira Pongpas has no clue what Blissfully Yours, the 2002 Cannes Film Festival's Un Certain Regard prize-winning film by director Apichatpong Weerasethakul, is all about. Not while first reading the script, not while acting it in, not after the film won the prestigious award that heralded Thai art house cinema, and not even today.
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Kid teacher
Muse, Kaona Pongpipat, Published on 11/01/2014
» Some people have an immediate aversion towards kids on TV. The stereotypical view - that they are alarmingly precocious, acting and speaking way beyond their age - often blames parents for taking away an important part of these kids' childhoods.
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Bright and early
Muse, Kaona Pongpipat, Published on 14/12/2013
» Chinese artist Yu Jordy Fu's career has literally been a shooting rocket, launched at a very young age. She held her first solo exhibition when she was six. At seven, a compilation book of her art was published. At 17, she was accepted by Central Saint Martin's College of Arts and Design in London even though she hadn't even finished high school. At 19, another book was published. At 22, she had her work exhibited at the Venice Biennale (she was the youngest participant, of course). At 26, she started her own design and architecture company.
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