Showing 1-10 of 18 results
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The Year of Great Reckoning
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
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Nang Nak at 20
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
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The many interpretations of bliss
Life, Kong Rithdee, Published on 08/10/2018
» With the monsoon comes the art. With the wind and bluster come the artists. Here it is, finally, after a year of fanfare and preparation. The first Bangkok Art Biennale 2018 (BAB 2018) will open on Oct 18 and run until next February in a city-wide surfeit of artistic affairs, from exhibitions to talks, workshops to pool parties (which is, of course, art!). The programme will keep Bangkokians and visitors busy for months starting from next week.
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All that glitters
Life, Kong Rithdee, Published on 17/08/2018
» The director as a priest, the camera a confessional box, and the idols worthy of worship become teary girls choked by emotion.
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Last light at Lido
Life, Kong Rithdee, Published on 04/05/2018
» The Lido Theatre opened on June 27, 1968, a 1,000-seat movie palace in the fast-modernising neighbourhood of Pathumwan. The first title on the marquee was Guns For San Sebastian, a cowboy film starring Anthony Quinn.
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Where to pay final respects to King Bhumibol
Life, Kong Rithdee, Published on 26/10/2017
» The royal cremation day has arrived. Hundreds of thousands are expected to turn up at the ceremonial grounds to witness the historic event. Millions more are going to watch the proceedings on television. Those who would like to pay their last respect to King Bhumibol also have the choice of placing the sandalwood flowers at the 85 replicas of the royal crematorium around the country. There is one in each province and nine in Bangkok.
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Superficiality takes aim at Scala
News, Kong Rithdee, Published on 04/06/2016
» There is a mix of rage, gloom and longing as, once again, the fate of the Scala theatre in Siam Square is questioned. To wreck is easy, to save is hard. The jackhammer screeches louder than nostalgia. Will the Scala, that quaint majesty stuck in a prime retail area, that solemn granddaddy in the flashy, messy, heavily commercialised quarter, be next to fall?
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Fragments of the region, in short
Life, Kong Rithdee, Published on 27/11/2015
» On Jan 2005, the Asian Film Archive (AFA) was founded by a group of film lovers and archivists in Singapore. From then on it has worked to preserve, restore, collect and promote the heritage of Asian cinema, as well as co-operate with other preservation agencies and archives to encourage research and critical appreciation of Asian films.
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The flamboyant Yonfan
Life, Kong Rithdee, Published on 05/05/2015
» Yonfan giggles and chirps as he remembers his first encounter with Thai cinema.
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A decade at House
Life, Kong Rithdee, Published on 27/06/2014
» House has been a home for small films — small in Thailand at least — for the past 10 years. In a city where stand-alone cinemas are listed as a severely endangered species, the boutique theatre House in the RCA strip (of all places) is a welcome anomaly in the scene dominated by neon-splashed multiplexes that dictate the popular taste of the whole country.
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