Showing 1-10 of 92 results
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Asean Film Festival is finally here
Life, Kong Rithdee, Published on 28/03/2024
» Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.
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Andalusian dreams
Life, Kong Rithdee, Published on 15/02/2024
» Two Middle Eastern tourists looked excited as they held up a phone to an exquisitely carved arabesque in Nasrid Palace at the Alhambra. No, they're not taking photos. They're comparing the Arabic text on their screen with the 8th century stone calligraphy. I hear them mumble in Arabic -- here's the translation:
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2023 ROUNDUP A vintage year for Thai cinema?
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
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In Cannes, it's cinema as usual
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
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Rebel without a cause
Life, Kong Rithdee, Published on 21/05/2021
» She came, she provoked, she burned, she left pools of blood and bits of brain on the school yard while laughing her pretty head off all the way to purgatory. She's Nanno, the demon child with Lolita's freckles and the Joker's face-splitting grin. She's the headline girl from the hit Thai series Girl From Nowhere which, since the May 7 release of its Season 2 on Netflix, has made it to the top-10 chart in many Asian countries and summited the algorithm in Thailand, Vietnam and the Philippines. In China, the series' hashtag was for a time trending on Weibo (Nanno's Thai school uniform also inspires Chinese cosplayers).
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The true nature of the beast?
Life, Kong Rithdee, Published on 20/11/2020
» 'Happy families are all alike," said Tolstoy, "every unhappy family is unhappy in its own way."
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Underwater folly
Life, Kong Rithdee, Published on 12/06/2019
» In the aquatic chamber, the tank looms. Encrusted and barnacled, the mighty war machine has become a home of fish and corals. It seems incapacitated, abandoned, useless. Such is an illusion: if the tank is submerged, we're down there with it, drowned in that inexorable aquarium. Look, its gun still points at us, and its shadow all-consuming.
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Strong field of films match up against Roma
Life, Kong Rithdee, Published on 25/01/2019
» Five films from five countries have been shortlisted for the Best Foreign Language Film at the 91st Oscars, with the winner to be read out on Feb 24 (morning of Feb 25 Thailand time). In a way, this is a no-brainer: Roma is a clear favourite, though that leads to another complication: with the Netflix-backed Mexican film also being nominated for Best Picture, can the beloved Roma win both categories? Not to mention that Alfonso Cuaron is also a front runner to win the Best Director prize, a likelihood that only widens the smile on Netflix's 2.35:1-ratio face (the film is still showing at House RCA, as well as on your Netflix account).
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Ghosts of various stripes
Life, Kong Rithdee, Published on 14/09/2018
» Refugees, human-trafficking and a ravenous ghoul show the real and fantastical facets of Thailand in the movies showing this week at the Toronto International Film Festival.
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Thai idols fall in line with orthodoxy
News, Kong Rithdee, Published on 01/09/2018
» Poor coup-makers, no one wants to see them on TV. At 6pm sharp when the theme song begins, there's a rush of hands to the remote control. Not that you can escape them. The true mark of dictatorship is audiovisual dictatorship: They beam their images on every TV and radio channel, monopolising your sensory reception, like a sci-fi movie, or like a spoiled child demanding your full attention. At 6pm every day for the past four years, the hands clutching the remote have reached for the only possible button. Off.
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