Showing 1-10 of 35 results
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From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
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Forever is a long time
B Magazine, Chanun Poomsawai, Published on 29/09/2019
» Let's be frank, bands like Metronomy are hard to come by these days. Call us myopic, but we honestly can't think of any up-and-coming groups who would be savvy enough to come up with classic indie jams like A Thing For Me, The Look, The Bay and Everything Goes My Way. A knack for blending eclectic genres seems to come naturally to the UK quartet, a gift that served them especially well from 2008's Nights Out through to 2014's Love Letters.
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Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.
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Closer to home
B Magazine, Chanun Poomsawai, Published on 29/03/2020
» "Sister, I promise you I'm changing/ You've heard broken promises I know," Dan Snaith wastes no time wearing his heart on his sleeve on Sister, the opening track to his latest album as Caribou, Suddenly.
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Snowed in
B Magazine, Chanun Poomsawai, Published on 08/09/2019
» "If I lay here/ If I just lay here/ Would you lie with me/ And just forget the world?" Honestly, it's hard not to automatically think of the devastating chorus of Chasing Cars whenever the band Snow Patrol is mentioned. To a great extent, the Northern Irish/Scottish quintet have American hospital drama Grey's Anatomy to thank for single-handedly popularising the song through one of the series' heart-rending season finales. Snow Patrol suddenly became a household name worldwide, continuing the legacy of post-Britpop previously jump-started by bands like Travis, Coldplay and Keane.
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Still hanging around
B Magazine, Chanun Poomsawai, Published on 04/08/2019
» "Life is short, I can't spend any more time on an airplane playing in front of people who have no idea who I am. It doesn't feel spiritual anymore. I'm ready for a more intimate life," explains Swedish indie-pop songstress Lykke Li in her recent Vogue interview in which she was asked whether she was planning to retire like she'd previously mentioned on her social media post. As it turns out, not only is she not retiring, Li's co-organising the inaugural edition of YOLA DÍA, "a festival for people who hate music festivals" celebrating strong women in music set to take place in LA next Sunday.
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Dreaming awake
B Magazine, Chanun Poomsawai, Published on 21/07/2019
» "What's that? (I may be paranoid, but no android)/ What's that? (I may be paranoid, but no android)," Thom Yorke sings on the lead single off Radiohead's third studio album, 1997's OK Computer.
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Small things considered
B Magazine, Chanun Poomsawai, Published on 23/06/2019
» In much the same way that eyes are said to be the window to the soul, band names give us a glimpse into the collective personality lurking behind each group. And as far as Thai band names are concerned, they can range from prosaic (Solitude Is Bliss, My Life As Ali Thomas) and whimsical (Apartment Khunpa, Charblues, Gym and Swim) to absolutely outlandish (Big Ass, Calories Blah Blah). For Sakon Nakhon-based trio Junlaholaan, names represent a curious juxtaposition where two incongruous concepts (jun, micro, and holaan, enormous) coexist to convey a deeply philosophical message. Yes, we are but a tiny speck in the universe -- the band seems to be saying -- but at the same time, a butterfly in Brazil could also cause a tornado in Texas, couldn't it?
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Returning to form
B Magazine, Chanun Poomsawai, Published on 31/03/2019
» It's hard to believe it's been nearly two decades since Ladytron unleashed its own version of electropop to the world. Hailing from Liverpool, the quartet of Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu first introduced themselves with their 2001 debut 604, a solid 16-track collection heavily influenced by the likes of Kraftwerk, New Order and Depeche Mode. In a period when the UK charts sounded a little uninspired (the No.1 singles ranged from JLo's Love Don't Cost A Thing to Limp Bizkit's Rollin' to Afroman's Because I Got High -- you get the idea), Ladytron's simmering cauldron of synth-pop and electro-industrial almost felt like an act of rebellion.
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The light between oceans
B Magazine, Chanun Poomsawai, Published on 16/12/2018
» From its origins as the solo project of guitarist Noppanan Panicharoen in 2006, Inspirative has steadily evolved into one of Thailand's most consistent post-rock bands. The line-up now boasts four additional members: bassist Amornthep Masawang, guitarist Pongpat Phaukwattana, drummer Sirichai Chanmanklakul and pianist/vocalist Wuttipong Huangpetch. The quintet established themselves on the Bangkok indie circuit through gigs at legendary indie nights like Dudesweet and Mind The Gap. This, naturally, led to the release of Floating Down Through The Clouds, their debut three-track EP whose title was inspired by the lyrics to Pink Floyd's 1983 prog-rock ballad, The Gunners Dream. This was followed by the equally stellar releases Mysteriously Awake and Memories Come Rushing Up To Meet Me Now.
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