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Showing 1-7 of 7 results
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Director 'Mom Noi' dies at 69
News, Post Reporters, Published on 17/09/2022
» Acclaimed Thai film director ML Pundhevanop Dhewakul died of lung cancer on Thursday night. He was 69 years old.
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More to 'seeking the truth' laser campaign than meets the eye, academics say
News, Published on 17/05/2020
» The laser projection of political messages on landmarks in the capital by the Progressive Movement is more than just a bid by the one-time party to build momentum, observers say.
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Going green for royalty
News, Supoj Wancharoen, Published on 26/05/2018
» When urban residents want to save trees in the city, it is BIGTrees, an urban conservation group, who many people turn to.
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GL chief disavows price manipulation
Business, Nuntawun Polkuamdee, Published on 10/06/2017
» Group Lease Plc (GL) chairman and chief executive Mitsuji Konoshita says the Japanese Financial Services Agency (FSA) has ordered him to pay a fine over alleged share price manipulation in Wedge Holdings Co Ltd, but he is in the process of seeking a court ruling to overturn the order.
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Eternal star
Life, Melalin Mahavongtrakul, Published on 23/11/2016
» Three years after making her screen debut, in a soap opera in 2010, Davika "Mai" Hoorne was known to Thai audiences as nang ake pun larn -- the billion-baht leading lady -- from the mega-success of her 2013 film Pee Mak Phra Khanong. Since then, she has become a fixture on the screen, with period melodrama Plae Kao (The Scar) in 2014, a modest hit, and the oddball Freelance Harm Puay Harm Pak Harm Rak Mor (Heart Attack) last year, which raked in over 90 million baht at the box office.
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Into the forest
Life, Anchalee Kongrut, Published on 07/10/2015
» It is hard to believe Sahwing Indharangsri when he says his village and the forest around it was once inhabited by wild animals.
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Evocative hymn to Thai rice
Life, Kong Rithdee, Published on 23/01/2015
» This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.
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