Showing 1-10 of 13 results
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In Cannes, it's cinema as usual
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
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Beyond the cinematic glitz
B Magazine, Kong Rithdee, Published on 20/05/2018
» In the past 10 days the seaside city of Cannes has been in the news with noisy fanfare and dazzling colour, led by pictures of bare-shouldered stars sauntering down the red carpet on a daily basis. It happens every year in May, as the world's largest cine-event, the Cannes Film Festival, attracts thousands of journalists, photographers and industry professionals to the Mediterranean resort town made out to become a self-contained universe of glamour. Throughout its 71st edition, which ended yesterday, Cannes once again commanded the attention of the world.
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When history becomes just a hazy dream
News, Kong Rithdee, Published on 22/04/2017
» Who controls the past, controls the future. Who controls the present (tada!) controls the past. In summary, the military, like quantum physicists or mad sorcerers, controls time: The past, present, future, ad infinitum.
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View from a veteran
Life, Kong Rithdee, Published on 24/03/2017
» The list of hits he has created in the past 20 years is long and staggering: Visute Poolvoralaks, perhaps Thailand's best-known film producer, is the man behind the renaissance of Thai cinema in the mid-1990s with Dang Bireley's And Young Gangsters, Nang Nak and Satree Lex, before becoming part of the hit-making machine GTH to push Fan Chan, Hello Stranger and the highest-grossing Thai film of all time, Phi Mak Phrakanong. Estimated box-office intake commandeered from his desk: nearly 2 billion baht.
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A wind from the Northeast
Life, Kong Rithdee, Published on 24/03/2017
» Last month the cinemas saw a sleeper hit -- and don't be surprised if your cultural radar didn't beep. The homemade Isan film Thi Baan The Series attracted huge crowds not to Bangkok cineplexes, or not at first, but to theatres in Si Sa Ket, Khon Kaen, Maha Sarakham and elsewhere across the Northeast. Scoring big with regional tastes, the small, Isan-speaking film, made by a group of friends for 3 million baht, has now made over 20 million in box office -- 70% of it on its home turf, the rest in the capital.
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For a ghost of a chance, use your talisman
News, Kong Rithdee, Published on 01/10/2016
» On Wednesday Prime Minister Prayut Chan-o-cha talked for 135 minutes at the Bangkok Post Forum, more than Donald Trump and Hillary Clinton on Monday combined. And this isn't even an election campaign. A good soldier, he's unfazed by the presence of enemies and microphone. From the podium, arms outstretched, the PM touched on a lot of topics: Thai education, the economy, Section 44, Thailand as a "developed" country, the 20-year prophecy, etc. But what struck me like a hammer was when the general mentioned ghosts.
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In search of the next hit
Life, Kong Rithdee, Published on 26/06/2015
» A string of box-office failures, an absence of hits, an onslaught of Hollywood blockbusters, an economic slump, the vacillating, unpredictable taste of audiences — all of this has plunged the Thai film industry into a gloom in the first half of 2015. Home-grown cinema can barely compete with the American juggernauts, but the past six months have been particularly wounding. Usually, Thai films take around 25% of the ticket sales, with Hollywood gobbling up the rest (the total box office value was around 4.5 billion in last year). This year, so far, local movies took a paltry 10%, according to industry analysts.
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Documenting Southeast Asian diversity
Life, Kong Rithdee, Published on 20/03/2015
» Now in its fifth edition, Salaya International Documentary Film Festival brings you real-world immediacy and reflection that covers a wide gamut of subjects — from the aftermath of the communist purge in 1960s Indonesia to the housing woes in Singapore, from the ferry tragedy in Korea to a grand tour of the National Gallery in London. The festival (better known as Salaya Doc) begins tomorrow and runs until Mar 28 at the Film Archive in Salaya and the auditorium of Bangkok Art and Culture Centre in Pathumwan (BACC). Admission is free.
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Breaking the sound barrier
Life, Kong Rithdee, Published on 12/08/2014
» The sound of a sole piano has echoed through the chamber of the Lido 2 cinema since last Thursday. At the first "Silent Film Festival in Thailand", which ends tomorrow, two musical experts in live accompaniment have enriched the soundless images projected on-screen with melodic phrasing, jazzy streaks — even avant-garde romps. Maud Nelissen and Mie Yanashita have taken turns playing along with Hitchcock's romantic dramas and German proto-expressionism, as well as Japanese and Chinese silent films showing at the festival. Their improvisatory deftness and sonic interpretations of visuals recreate the cinematic experience of an era when movies were soundless.
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Cream of the cinematic crop
Life, Kong Rithdee, Published on 15/11/2013
» Here we go again. The 11th World Film Festival of Bangkok kicks off tonight with The Rocket, and over the next 10 days more than 50 films will be made available for your perusal at SF World Cinema at Central World.
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