Showing 1 - 10 of 31
Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
Beyond borders
Life, Kong Rithdee, Published on 18/03/2020
» The two-channel video work by Ampannee Satoh begins with specks of light and ends, naturally, with darkness. Two cameras were attached at the bow and stern of a fishing boat, purportedly the same type used by Rohingya refugees when they fled whatever was hounding them into the sea. The images they captured are wobbly, disoriented, seasick-inducing, and for 20 minutes they simulate the experience of being lost at sea in the middle of the night -- the experience of displaced people unmoored in the lightless sea.
Be my guest
Life, Kong Rithdee, Published on 13/12/2019
» Some arrived by boat, others by air. Some came when the British still ruled their homeland, others were driven by the bloodshed of The Partition. Some came with numerous gods, others with the one and only Allah. Some came from near Bombay, others from in and around Madras. Some came with the intention of returning, others arrived knowing that there was no going back.
Staying afloat on a sea of despair
Life, Kong Rithdee, Published on 13/12/2019
» Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.
View from the Far South
Life, Kong Rithdee, Published on 06/12/2019
» Young men lie face-down on the floor, their hands tied at the back. Uniformed officers punch and kick them. "Squeeze in!" they shout at the men on the ground. More kicks, more punches.
Psycho-killers, interviewed
Life, Kong Rithdee, Published on 23/08/2019
» The series didn't drop with as much ballyhoo as most Netflix new releases; instead it creepy-crawled into the algorithm of fans with chilly stealth last Friday. Mindhunter Season 2, created by Joe Penhall with several episodes directed by David Fincher, is a cerebral remedy to Netflix's glut of story-driven series and formulaic cliffhangers. Mindhunter takes almost a geeky pride in its dialogue-heavy exploration of the most vicious minds in the anthology of American true crime, the procession of ultra-violent serial murderers, pathological rapists and sadistic torturers, and in the way it isn't fixated on solving any particular cases (as is expected from a detective show) but taking time to study the methodological eccentricity of each crime and the increasingly dark obsession of the detectives, sucked ever more inextricably into the transgressive vortex.
Memories buried in soil
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
The old skeleton in the closet
Life, Kong Rithdee, Published on 05/04/2019
» Motherly ghosts are Southeast Asia's fiercest creatures, as they cling to their memories with a vengeance. In Marn-Da (The Only Mom), a Myanmar-Thai haunted-house horror, a motherless child wanders her old colonial house -- she was already dead, sure -- looking for love and hugs. When a new family moves in, the girl-ghost finds the perfect mother she never had and the old skeleton in the closet comes tumbling out.
A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
