Showing 1-10 of 11 results
-
Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.
-
Top 25 Singles of 2019 (Part II)
B Magazine, Chanun Poomsawai, Published on 29/12/2019
» As tradition dictates, we rummaged through some 200 singles we'd reviewed over the past 12 months and narrowed it down to 25. Here's what we learned in 2019: Thai fusion is still very much a go-to for most up-and-coming bands including Southern Boys and Suthep Entertainment, who both look to their roots for inspiration. This year also had its fair share of blazingly political moments, thanks to Solange, Lana Del Rey and our own rap troupe Rap Against Dictatorship. One final note, even though this list is split into two parts spreading across this and next week, these tracks are not ranked and their order is completely arbitrary in nature.
-
Portrait Of An Artist
B Magazine, Chanun Poomsawai, Published on 06/10/2019
» "I just don't wanna be back in this place again/ I mean, I done cried a little/ Tried a little, failed a little/ I don't wanna do it again," Brittany Howard confesses on History Repeats, a funky opener to her solo debut Jaime. Built on acid jazz and neo-soul groove, the song bustles with the genre-blurring spirit of her former band Alabama Shakes and her own irreverent energy. Singing those words, Howard sounds empowered and energised like a weight has been lifted. "History repeats and we defeat ourselves/ Come on everybody, one more time again," before you know it, the song turns into an infectious anthem, leaving in its wake a glimpse into her self-discovery that would go on to define the rest of the album.
-
Miss(ed) Opportunity
B Magazine, Chanun Poomsawai, Published on 15/03/2020
» The rise of synth-pop darling Claire Boucher, aka Grimes, has been a fascinating one.
-
Small things considered
B Magazine, Chanun Poomsawai, Published on 23/06/2019
» In much the same way that eyes are said to be the window to the soul, band names give us a glimpse into the collective personality lurking behind each group. And as far as Thai band names are concerned, they can range from prosaic (Solitude Is Bliss, My Life As Ali Thomas) and whimsical (Apartment Khunpa, Charblues, Gym and Swim) to absolutely outlandish (Big Ass, Calories Blah Blah). For Sakon Nakhon-based trio Junlaholaan, names represent a curious juxtaposition where two incongruous concepts (jun, micro, and holaan, enormous) coexist to convey a deeply philosophical message. Yes, we are but a tiny speck in the universe -- the band seems to be saying -- but at the same time, a butterfly in Brazil could also cause a tornado in Texas, couldn't it?
-
From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
-
Sip on this
B Magazine, Chanun Poomsawai, Published on 16/06/2019
» Born and raised in Spanish Town, just outside Kingston in Jamaica, Mikayla "Koffee" Simpson became known three years ago for her viral video in which she played her acoustic guitar and sang a dedication to Olympic legend Usain Bolt. Now, the 19-year-old newcomer has finally come through with her debut EP, the five-track Rapture helmed by a panel of stellar reggae producers Teflon ZincFence, Lasanna "Ace" Harris, Frankie Music and Walshy Fire.
-
Widescreen memories
B Magazine, Chanun Poomsawai, Published on 20/01/2019
» Ever since I embarked on this music-criticism journey some five years ago, it's always been a personal mission of mine to be as diverse as possible when it comes to the albums I choose to review. While I'd like to think that mainstream and independent/left-field artists are equally given a chance to shine in this column, there's still a whole world of music out there that needs its due recognition. Which brings me to drummer-turned-piano virtuoso Eiko Ishibashi, a celebrated Japanese musician who, thanks to US-based label Drag City, is getting her releases outside of her native Japan.
-
When sleaze gets slick
B Magazine, Chanun Poomsawai, Published on 05/05/2019
» Fat White Family, for the uninitiated, are a South London group trading in all manners of classic punk depravities, rock'n'roll drug habits and songs with imaginatively risqué titles (Cream Of The Young, Is It Raining In Your Mouth?, Bomb Disneyland). Led by founding frontman Lias Saoudi, the band is notorious for their outrageous live gigs, where shocking antics and nudity are not uncommon. As a band, this collective transgression is the unique selling point upon which their 2013 debut album Champagne Holocaust and its follow-up Songs For Our Mothers hinged. It's also the very factor that contributed to "the sort of classic stereotypical drug meltdown", as Lias puts it in his recent interview with Noisey, which led to them getting dropped by US-based Fat Possum Records.
-
Footloose and fancy-free
B Magazine, Chanun Poomsawai, Published on 17/03/2019
» Over the past decade, Beirut's Zach Condon has been a go-to guy for what I like to refer to as "speciality indie rock". This is just a fancy way of saying that the music is unlike your typical indie sound. Beirut are masters when it comes to injecting world music elements into their repertoire, which has accumulated into a sizeable discography since their 2006 debut Gulag Orkestar. And although the boys may have faltered somewhat with previous effort No No No, they're back stronger than ever with their latest, Gallipoli.
Your recent history
-
Recently searched
-
Recently viewed links
Did you find what you were looking for? Have you got some comments for us?
