Showing 61 - 70 of 142
Once lost, now found
Life, Kong Rithdee, Published on 01/02/2017
» The 69th Cannes Film Festival begins today in southern France with its usual fanfare. Regarded as the world's most prestigious event of cinema professionals, the festival celebrates film as art, commerce, glitz and as cultural treasure. Fittingly, this year Cannes has invited only one Thai film to screen in the Cannes Classics programme -- the recently discovered 1954 Santi-Vina, which was once thought to be lost and has now been restored to its celluloid glory.
Judging the judges at Cannes
Life, Kong Rithdee, Published on 01/02/2017
» There was a chorus of surprise when the 69th Cannes Film Festival last Sunday awarded its top prize to Ken Loach's welfare drama I, Daniel Blake -- because the film was largely absent from the critical radar during the 12-day festival. A bigger surprise (not to say disappointment) was when the second prize went to Xavier Dolan's melodrama It's Only The End Of The World, because the film was nearly unanimously disliked for its histrionics and theatrical conceits. When the jury, led by Mad Max director George Miller, gave the prize to Dolan's film, a joke sprang up and quickly caught on, inspired by the film's title: yes, for this film to be honoured by Cannes it is the end of the world, or the end of cinema. Apocalypse now!
Tony Jaa strikes back
Life, Kong Rithdee, Published on 19/01/2017
» The last time we saw him, Tony Jaa brawled with the late Paul Walker in Fast And Furious 7, a blood-rushing tumble of masculine masses on a moving mega-truck. This week Jaa -- the Thai martial arts star whose real name is Tachakorn Yeerum -- is back in the cinema in xXx: Return Of Xander Cage, an action thriller starring Vin Diesel in the leading role.
Our best films of the year
Life, Kong Rithdee, Published on 22/12/2016
» As usual we have two lists, for titles released in local cinemas and the wider universe of world films shown elsewhere (and hopefully coming to our screens soon).
The non-Hollywood contenders
Life, Kong Rithdee, Published on 09/12/2016
» Thailand has submitted the monk drama Arpatti to compete with 84 other countries in the Oscar race for best foreign-language film. Here we look at some highlights from around the world before the nominations are announced on Jan 24.
A trip to the other world
Life, Kong Rithdee, Published on 18/11/2016
» A quick lowdown on Thai love motels: trashy lighting, soap-smelling beds, bad pillows, cheap porn on the TV and a trove of hush-hush secrets guarded by naked walls. Outside, the thick tarp curtains separate the public from the personal, the exposed from the invisible, the respectable from the randy. Inside, it is another world, a fantasy world, an alien world.
Streep, Abe open Tokyo Film Fest
Life, Kong Rithdee, Published on 27/10/2016
» Meryl Streep walked down on the red carpet as light drizzle cooled the opening of the 29th Tokyo International Film Festival on Tuesday.
Cinematic nostalgia in a book
Life, Kong Rithdee, Published on 14/10/2016
» The title sounds mournful: Stand Alone, Die Alone. The new book published by Filmvirus is an elegiac remembrance of stand-alone movie houses, featuring essays and short notes from dozens of writers and movie fans who recall their experience watching films in the pre-multiplex era.
Moments of record
Life, Kong Rithdee, Published on 07/10/2016
» The film fades and has scratches, but the persistence of history is strong. On Tuesday, the Ministry of Culture and Thai Film Archive (Public Organisation) registered 25 film items into the National Heritage list for audiovisual conservation and future reference. In November and December, the Archive will host screenings of some of the newly inducted titles.
Northern lights
Life, Kong Rithdee, Published on 23/09/2016
» With over 400 movies on the slot, the Toronto International Film Festival was a feast and a maze. The latest edition of this North American showcase concluded last Sunday, with Damein Chazelle's La La Land winning the People's Choice Award, a bellwether for the bright Oscar season (Toronto, unlike other major festivals, has no prominent juried competition, instead letting the audiences decide the big winner). The festival is known as a launch pad for Oscar hopefuls as well as independent titles looking for distribution. It also features a strong experimental section that casts its radical net far and wide.