Showing 11 - 20 of 142
Time for Asean films to shine
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
Girlhood and a city in flux
Life, Kong Rithdee, Published on 12/10/2021
» An Indonesian teen drama and Cambodian prize-winner shine at Busan Film Festival.
Of Naga and political dissidents
Life, Kong Rithdee, Published on 13/09/2021
» The Naga is real but the murder is not. Or is it vice versa? What history chooses to remember and relegate to oblivion, what it enshrines as story and what it buries as hearsay, is how the narrative of a nation is forged in a mould of clay or a furnace of fire. Or in this particular case, in disembowelled bodies stuffed with concrete blocks. The murder is real but the Naga is not. This sounds more like it.
A sick man, on a tour of hospital hell
Life, Kong Rithdee, Published on 07/05/2021
» The Death Of Mr. Lazarescu came out in 2005 and cemented the cinematic potency of the Romanian New Wave and their brand of droll, deadpan and relentlessly realistic movies about life in the ex-socialist state. The film premiered at the Cannes Film Festival 2005 and now, 16 years later, The Death Of Mr. Lazarescu is buried deep in the algorithm of Netflix. But it's there if you look, and I'm bringing it up today because its story of public healthcare apocalypse and accumulated absurdities experienced by a patient trying to find a hospital bed seems more timely, more wickedly serendipitous, than ever.
The Year of Great Reckoning
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
Asean on screen
Life, Kong Rithdee, Published on 02/09/2020
» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work
Highbrow picks from Netflix
Life, Kong Rithdee, Published on 01/05/2020
» Cannes Film Festival, the annual jamboree of world cinema usually taking place in May, has been postponed until further notice. In its absence, we delve into the Netflix menu and find four films that made their debut at Cannes over the past decades and made a noise in their own way.
Corona and the death of cinema (again)
Life, Kong Rithdee, Published on 30/03/2020
» "Cinema is an invention without a future," said Louis Lumiere who, along with his brother Auguste, invented the Cinematographe in 1895. From its birth, cinema was convinced of its own death. From the very beginning, cinema predicted its own eventual demise. And that was before the two world wars, the advent of home video, laser disc, DVDs, Blu-rays, terrorism, mass shootings, Netflix, and now the coronavirus, the latest scourge that has sealed shut cinema houses around the world.
To dump or not to dump
Life, Kong Rithdee, Published on 31/12/2019
» The title of a new Thai film is a bilingual wordplay: How To Ting is literally translated as "how to dump". That, I think, is sharper than its tired official English title, Happy Old Year. To dump or not to dump -- things and people, mementos and memories -- that is the question. In the film, a young designer who's dressed like a Muji model, and who has just returned from studying in the minimalist-paradise Sweden, plans to dump all useless objects from her maximalist Bangkok house, where she lives with her mother and brother, and to turn it into an all-white, supremely sparse and unapologetically decluttered interior nirvana -- a home office lifted straight from a Scandinavian style book.
Be my guest
Life, Kong Rithdee, Published on 13/12/2019
» Some arrived by boat, others by air. Some came when the British still ruled their homeland, others were driven by the bloodshed of The Partition. Some came with numerous gods, others with the one and only Allah. Some came from near Bombay, others from in and around Madras. Some came with the intention of returning, others arrived knowing that there was no going back.