Showing 1 - 10 of 13
Life, Kaona Pongpipat, Published on 24/11/2016
» Thailand has an alarmingly high fatality rate due to antibiotic resistance derived from over-prescription and a widespread presence of the drugs in the food and water supply, according to research by Niyada Kiatying-Angsulee, manager of the Drug System Monitoring Mechanism Development Centre.
Life, Kaona Pongpipat, Published on 26/10/2016
» The most pressing issue in the capital's art scene this month is, of course, the well-being of some hundred carp put in the temporary pool as part of photographer Rapat Bunduwanich's "Photo Festival", a show whose title tricks us into thinking that there are other people in the show.
Life, Kaona Pongpipat, Published on 12/10/2016
» In "Under The Same Sky", the latest exhibition at Nova Contemporary by photographer Tada Hengsapkul and artist Chai Siris, personal history and that of the world entwine. In no way does the show appear to strive at having these narratives untangled.
Life, Kaona Pongpipat, Published on 27/07/2016
» If "Fear" -- Manit Sriwanichapoom's latest photography and video show, which opened over the past weekend at H Gallery, Tang Contemporary Art and Kathmandu Photo Gallery (and at Yavuz Gallery in Singapore at the end of the month) -- isn't the hottest topic of discussion in the capital's art scene already, it soon will be.
Life, Kaona Pongpipat, Published on 16/05/2016
» It has been eight years since writer Chart Kobjitti, national artist and two-time SEA Write Award winner, published his book Lorm Wong Khui, a collection of articles written for Si San magazine. Eight years is a long time, especially for fans of various generations who literally grew up with his writing, from the cursed life of Ai-fak in 1981's Khamphiphaksa (The Judgement) that won his first SEA Write award, and the tumultuous story of life, friendship and lots of booze in 1988's Phan Ma Ba, to a miserable account of age and death in a nursing home in 1993's Wela (Time), for which he won the award once again.
Life, Kaona Pongpipat, Published on 03/02/2016
» 'An art fair is always a commercial event," said Lorenzo Rudolf, founder and president of Art Stage Singapore whose sixth edition ended last month. There's not a response more apt than that to a common complaint like: "Oh, but Art Stage is too commercial." It's an art fair, and quite naturally, as Rudolf added in an interview during the fair, "the galleries come here to sell".
Muse, Kaona Pongpipat, Published on 16/01/2016
» Kawita Vatanajyankur feels like an outsider wherever she is. In Melbourne, where the 28-year-old artist spent a decade through high school and university, it wasn’t really home. Back in Bangkok for four years now, and she doesn’t feel Thai, either. Who she is as an artist and the person she is as she sits down for an interview are equally in a state of flux.
Life, Kaona Pongpipat, Published on 06/01/2016
» In one exhibition room at Navin Rawanchaikul's studiOK in Chiang Mai, wooden crates used for shipping his previous artworks are piled up as a huge rectangular structure. An entrance on one side reveals an old fabric shop, with rolls of cloth of various colours, desks and measurement tools. Open for viewing for the first time late last month, the "shop" is an exact recreation of O.K. Store, Navin's family clothing store, his original home in Chiang Mai's Warorot Market.
Life, Kaona Pongpipat, Published on 13/08/2015
» Right after entering the theatre space on the fourth floor of the Bangkok Art and Culture Centre, Vidura Amranand was lying on the floor, scribbling on an acrylic box “when was the last time I cried about him?” A bit further into the production, Navinda Pachimsawat Vadtanakovint stood in awe of the pool of light that showered over her own shadow.
Life, Kaona Pongpipat, Published on 03/06/2015
» Boats are floating, one filled with fresh flowers, the other carrying a supply of meatballs, white noodles, or sen lek, fish sauce, chilli powder and sugar. Next to that is a rice paddy, which looks about a month old.