Showing 41 - 50 of 87
A peek into our inner landscape
Life, Amitha Amranand, Published on 24/06/2016
» It's no surprise that stage director, playwright and actor Shogo Tanikawa's plays have a small following in Bangkok. As a writer, the Bangkok-based half-Thai, half-Japanese has a keen sense for quirky details in the mundane; his characters are relatable yet lovable and not-overly strange; his stories are about small moments in the lives of seemingly ordinary people in heartfelt, even sentimental, ways.
Going through the grieving process
Life, Amitha Amranand, Published on 09/06/2016
» On the Thai stage, we rarely get to see domestic scenes with nuanced emotional conflicts. No sooner does tension begin to form than it is resolved by a comedic means. In our everyday life, too, Thais prefer to avoid discussion of our emotions. Most Thais don't spend hours in therapy sessions every week. Our first instinct is not to seek out professional help to fix our psychological health.
A colourful unpeeling of youth sexuality in Paula Vogel's play
Life, Amitha Amranand, Published on 10/03/2016
» After the success of The True History Of The Tragic Life and Triumphant Death Of Julia Pastrana, The Ugliest Woman In The World, Peel the Limelight returns with another thought-provoking and emotionally nuanced play, Paula Vogel's 1998 Pulitzer Prize–winning How I Learned To Drive. At once gentle and disturbing, funny and poignant, the play tells the story of Li'l Bit and her unusual relationship with Uncle Peck during her adolescence.
India takes centre stage
Life, Amitha Amranand, Published on 03/03/2016
» NUNi Productions, a young Thai opera company, has been known to make the genre more digestible for the younger generations and novices. In the hands of versatile director and NUNi co-founder Pattarasuda Anuman Rajadhon, opera suddenly feels malleable and full of possibilities. In the past two years, she and Saran Suebsantiwongse, opera singer and NUNi co-founder, have been putting together the jigsaw puzzle that is Sakuntala.
The perfect murder
Life, Amitha Amranand, Published on 17/12/2015
» In B-Floor Theatre's Jaa Phantachat's latest creation Ceci N'est Pas La Politique (This Is Not Politics), the audience takes part in solving a murder mystery. No, this is not a mystery dinner. Rather, it's a kangaroo court, a quiz show and a reality show all rolled into one, where we willingly become the players, and unwittingly become the jury.
Opera meets reality
Life, Amitha Amranand, Published on 22/10/2015
» Despite the obstacles often faced by new small theatres companies here in Bangkok, especially the English-speaking ones, Culture Collective Studio handled their second production with impressive grace.
Double trouble
Life, Amitha Amranand, Published on 22/10/2015
» The story of Eng and Chang Bunker, better known as the Siamese twins, is the subject of an ambitious musical by the College of Music, Mahidol University.
The Metamorphosis
Life, Amitha Amranand, Published on 20/08/2015
» What would you do if you woke up one morning to find out that your own child had turned into a robot? How would you interact and coexist with something that speaks, thinks and feels like a human being yet does not look in any way human, not even a living creature?
Casualties of war
Life, Amitha Amranand, Published on 18/06/2015
» When we watch Thanapol Virulhakul's conceptual contemporary dance work, we are never only a member of the audience. We are witnesses to, sometimes even implicit in, the transgressions that are being played out on the stage — transgressions that are often masked in seemingly neutral and harmless images.
Life on the small stage
Life, Amitha Amranand, Published on 13/05/2015
» Three new English-speaking theatre companies in Bangkok make a name for themselves.