Showing 11 - 20 of 51
Freeform art
Life, Amitha Amranand, Published on 01/12/2017
» A decade ago, theatre was still seen an art form on the margin in Thailand. That is less true today. Visual art and design events are beginning to include theatre in their programmes. The new art and design event Freeform Festival has revived an abandoned school building at ACMEN Ekamai Complex with exhibitions, workshops, food trucks, plays and dance. Their performing arts programme is a solid one. Hopefully, this will become another platform for quality theatre in the future.
Gung-ho newcomers and tireless veterans
Life, Amitha Amranand, Published on 23/11/2017
» And yet another Bangkok Theatre Festival (BTF) has come and gone, almost in a flash.
Passionate, but ultimately superficial
Life, Amitha Amranand, Published on 21/09/2017
» There is no shortage of passion and potential in the new Thai-language musical, 21¾, about the dreams and struggles of urbanites in their early 20s.
Chit Phumisak, on stage
Life, Amitha Amranand, Published on 07/09/2017
» Splashing Theatre returns to the stage with Teenage Wasteland: Summer, Star And The (Lost) Chrysanthemum, a play inspired by the life and work of Chit Phumisak. At times moving, at times frustratingly obscure, Thanaphon Accawatanyu's ambitious new creation makes a subtle statement about institutional violence against Thai youth and political dissidents.
A dull history lesson
Life, Amitha Amranand, Published on 24/08/2017
» Anatta Theatre Troupe's Rak Talerd (Love Astray) is a small play with lots of big messages and an even bigger desire to educate the audience about Field Marshal Plaek Pibulsonggram's regime, from his fascist approach to the modernisation and Westernisation of Thailand to the Franco-Thai War to Siam's alliance with Japan during World War II.
Life's agonies, magnified three-fold
Life, Amitha Amranand, Published on 24/08/2017
» Theatre director Bhanbhassa Dhubthien may not be known for novel or subversive interpretations of plays, but she has always worked with good actors, from whom she draws out the kind of nuanced performances we don't often see here in Thailand. She has also worked with texts of varying degrees of difficulty and ripeness. So even when the writing fails, her actors can always steer the production from complete disaster.
Beaming a light on human absurdity
Life, Amitha Amranand, Published on 10/08/2017
» The latest adaptation effort by playwright-director Parnrut Kritchanchai revolves around the Moon, or rather, around five lonesome souls one Full-Moon night. It is also Parnrut's continued exploration of the melodrama genre in all its manifestations.
A slow death
Life, Amitha Amranand, Published on 03/08/2017
» When Tassakorn Seepuan staged his adaptation of the Greek film Dogtooth at Take-off Festival 2015, a curated platform that showcases work by new graduates, he impressed with strong choreography and clever handling of taboo political topics.
Touch, move, interact, open up
Life, Amitha Amranand, Published on 20/07/2017
» Even when they're about violence, Dujdao Vadhanapakorn's shows always feel inviting. Perhaps it's because of her therapy background (Dujdao is Thailand's first dance movement psychotherapist) that she likes to create the kind of space -- physical and emotional -- that invites you to touch, move, interact or open up.
Something in the air
Life, Amitha Amranand, Published on 08/06/2017
» When Phia Ménard and her company Non Nova first came to Thailand in 2011 with P.P.P., they were playing with ice. This time, they are playing with wind. As part of La Fête, Non Nova is presenting L'Après-midi D'Un Foehn, a ballet of plastic bags set to Claude Debussy's composition of the same title, and Vortex, a performance exploring identity and transformation. The two shows continue today and tomorrow at the Sodsai Pantoomkomol Centre for Dramatic Arts, Faculty of Arts, Chulalongkorn University.