Showing 1 - 4 of 4
Paint it noir
Life, Kong Rithdee, Published on 13/04/2018
» Jean-Pierre Melville, the supreme stylist of French film noir, is getting the retrospective he (and his fans) truly deserve. Starting on April 17, the Alliance Francaise Bangkok will screen five Melville films, plus one documentary about the filmmaker and another that makes strong allusion to his style.
Horror film does double duty as social satire
Life, Kong Rithdee, Published on 07/04/2017
» Hot on the trail of the Oscar-winning Moonlight and half-a-century after Katherine Hepburn gasped at her daughter's black fiancée in Guess Who's Coming to Dinner?, here comes Get Out, a "social thriller" about a black man trapped in a white horror. These weird white folk voted for President Obama -- they keep repeating that to assure themselves and others -- but their exaggerated civility is more creepy and menacing than ever in Trump-ruled America.
At Cannes, humour makes a surprise visit
Life, Kong Rithdee, Published on 01/02/2017
» Humour is hardly ever associated with Cannes competition films -- to win the Palme d'Or, for example, it's assumed a film should possess art house gravitas, serious humanity, or weighty, topical, discourse-stimulating subject matter (last year's winner, Dheepan, is about immigrants in Paris, and before that, the three-hour-long Turkish drama Winter Sleep).
Curtain draws on cinematic history
Kong Rithdee, Published on 06/01/2014
» In 1905, a Japanese entrepreneur, T Watanabe, set up Siam's first permanent cinema in Bangkok. It was called "Japanese Cinema", and later "Royal Japanese Cinema" after it had been granted royal permission to display the government seal.