Showing 1 - 10 of 33
Coppola's Megalopolis leaves Cannes scratching its head
Life, Kong Rithdee, Published on 20/05/2024
» Every year the Cannes Film Festival has its hottest gig -- a film so breathlessly anticipated and a justification of the festival's raison d'être. This year, that honour belongs to Megalopolis. Or, to be completely faithful according to the plaque flashed up on the screen, Francis Ford Coppola's Megalopolis: A Fable.
Cannes 2024 highlights
Life, Kong Rithdee, Published on 14/05/2024
» From Francis Ford Coppola's new epic to a Taiwanese drama starring a Thai actor and a Pol Pot drama, we pick hot titles from the French film festival that kicks off today.
Uncle Boonmee at 10
Life, Kong Rithdee, Published on 22/05/2020
» Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.
Beyond the cinematic glitz
B Magazine, Kong Rithdee, Published on 20/05/2018
» In the past 10 days the seaside city of Cannes has been in the news with noisy fanfare and dazzling colour, led by pictures of bare-shouldered stars sauntering down the red carpet on a daily basis. It happens every year in May, as the world's largest cine-event, the Cannes Film Festival, attracts thousands of journalists, photographers and industry professionals to the Mediterranean resort town made out to become a self-contained universe of glamour. Throughout its 71st edition, which ended yesterday, Cannes once again commanded the attention of the world.
Last light at Lido
Life, Kong Rithdee, Published on 04/05/2018
» The Lido Theatre opened on June 27, 1968, a 1,000-seat movie palace in the fast-modernising neighbourhood of Pathumwan. The first title on the marquee was Guns For San Sebastian, a cowboy film starring Anthony Quinn.
Strange brew
Life, Kong Rithdee, Published on 29/03/2018
» He went down to the crossroads, fell down on his knees, asked the Lord for mercy -- and somehow got it. In this biopic documentary, Eric Clapton -- his place in the pantheon of guitar god-dom guaranteed -- is a tragic genius denounced by his own mother and nurturing a desperate crush on his best friend's wife, which kept his guitar wailing and weeping. Here's a 60s-70s blues-rock maverick who sold his soul to heroin, cocaine, cognac, whatever, and when he emerged from the pit and things began to feel wonderful tonight, he lost his son in a terrible, terrible accident. That a new documentary about his life to date is allowed to end happily is proof that rock'n'roll (and life itself) can cheat the claws of fate and go on for longer than 12 bars.
The don of films on the big screen
Life, Kong Rithdee, Published on 08/02/2018
» This is a programme people have been waiting for, or, to consciously quote what we're talking about, an offer you cannot refuse.
Oscar contenders from around the world
Life, Kong Rithdee, Published on 10/11/2017
» A record 92 films have been submitted to the Oscar Foreign Language Film category. We take a look at some
The spiral in the sky
Life, Kong Rithdee, Published on 31/03/2017
» The top 27 floors of Central Embassy will soon have a new host -- the Park Hyatt Bangkok. Among the slate of new hotels to open in the city this year, this luxury property by the Hyatt brand is one of the most exciting, its reputation preceding its arrival by miles. Set for a May 12 opening, the hotel has had reservations coming in since January and has already landed a spot in Monocle's Most Anticipated Hotel Openings.
Surprise Subannahongsa win for Dao Khanong
Life, Kong Rithdee, Published on 07/03/2017
» A Thai independent film, Dao Khanong (By The Time It Gets Dark), won Best Picture at the 26th Subannahongsa Awards on Sunday night, a surprise victory for a title that had only limited release and was largely unseen by multiplex-goers.