Showing 11 - 20 of 79
Dancing like there's no corona: first German nightclub reopens
AFP, Published on 14/06/2021
» LEIPZIG: For techno enthusiast Philipp Koegler, it almost felt like a normal Saturday night again as he joined 200 fellow revellers at "Distillery", the first German nightclub to reopen since the start of the pandemic.
'Friends' reunion reveals Ross and Rachel stars' crush
AFP, Published on 28/05/2021
» LOS ANGELES: Jennifer Aniston and David Schwimmer almost hooked up on the set of "Friends" -- but their characters Rachel and Ross nearly didn't.
FCCT screens The King Of The White Elephant
Life, Published on 06/04/2021
» The Foreign Correspondents' Club of Thailand (FCCT) will once again screen The King Of The White Elephant (1941) to mark its 80th anniversary, tomorrow at 7pm.
RCB to screen Israeli comedy this weekend
Life, Published on 18/03/2021
» RCB Film Club will be screening Forgiveness (Mechila) as the opening film of the year at the RCB Forum, 2nd floor of River City Bangkok, Charoen Krung 24, on Sunday at 4pm.
Too cruel to contemplate
Life, Chris Baker, Published on 07/08/2020
» The silhouette at the top right of this achingly beautiful book cover recalls a famous photograph from the Thammasat massacre of Oct 6, 1976. The photo showed a dead man hung from a tree being beaten by a chair while a ring of people watch. The silhouette is deliberately ghostly. The incident is well-known but little known. The photo is famous but the dead man, the man wielding the chair, and the prominent bystanders have never been identified. Even the location of the tree is uncertain. The whole event is full of "unanswered questions". The memory of the incident is in a limbo which Thongchai Winichakul calls "the unforgetting".
A unity of none
Life, Sawarin Suwichakornpong, Published on 17/04/2020
» In the morning of Aug 25, 2017, a group of militants belonging to the Arakan Rohingya Salvation Army (ARSA) unco-ordinatedly attacked police and border guards in northern Arakan (Rakhine) state, killing at least 12 officers. The Myanmar Armed Forces, known as the Tatmadaw, retaliated by launching a military counter-insurgency campaign in order to capture the perpetrators who attacked the border garrisons.
Follow the yellow brick road
Life, Kong Rithdee, Published on 21/06/2019
» There is a newly-invented subgenre of the rock biopic: the queer, British, 1970s-set rock biopic, preferably with family trauma and cruel (or at least unsympathetic) parents. First was Bohemian Rhapsody, the shoddy Freddie Mercury flick, whose status as an Oscar-nominated title still befuddles. Now comes Rocketman, in which Taron Egerton preens and struts in Elton John's greatest hits of wardrobe flamboyance, even at his AA session.
The best prime minister Thailand never elected
Life, Chris Baker, Published on 16/11/2018
» Anand Panyarachun's two spells as unelected prime minister in 1991-2 had such a profound effect that they now seem preordained by history. This splendid book shows how the reality was otherwise.
All eyes on Asia
Life, Kong Rithdee, Published on 05/10/2018
» Asia's premier cine-event took off last night. The 23rd Busan International Film Festival once again draws all attention to the South Korean port city as it hosts the annual showcase of films, especially Asian films. One part to promote the South Korean film industry -- a formidable machine of creativity and commerce -- and one part to reign as a centre of filmmaking activity in this part of the world, Busan has gone through some bumps, political and managerial, but remains steadfast in being in the biggest in Asia.
A classical holiday feast for all
Life, Michael Proudfoot, Published on 02/01/2018
» Arturo Toscanini and Wilhelm Furtwängler were two of the greatest conductors of classical music of the last century. Their approaches to performance were quite different. Toscanini believed in faithful adherence to the score, reproducing scrupulously the original tempi, the composer's written markings, the time signatures and so on. Furtwängler, on the other hand, was more spontaneous, responding to the particular circumstances of a concert: the concert hall's acoustics, the orchestra, the responses of the audience, while always, at the same time, keeping the overall architecture of the piece in mind. No two Furtwängler performances of the same work were alike.