Showing 1 - 10 of 28
A quiet weekend of dance
Life, Kaona Pongpipat, Published on 15/12/2016
» The 11th International Butoh Festival kicked off last week with performances Sonata For An Uninhibited Body by Rosana Barra, Oju Obá -- The Eyes Of The Falling King, The Eyes Of The Rising King by Calé Miranda and Indonesian performer Tony Broer's untitled show. Awaiting Butoh fans on this second and final weekend is one of the festival's highlights: Quiet House, a collaboration piece by Japan's Takayuki Takita and Yuko Kawamoto, and Teerawat Mulvilai from B-Floor Theatre.
Opening doors
Life, Kaona Pongpipat, Published on 02/12/2016
» From now until March, a weekend in Hua Hin will no longer be just about seaside activities or a stroll around night markets. Launched earlier this month, Vic Hua Hin's inaugural "Theatre Season", a festival of music, dance and stage performances and film screenings, will keep both locals and visitors busy every weekend.
The elephant in the room
Life, Kaona Pongpipat, Published on 17/11/2016
» Last weekend, Something Missing, a performance by South Korea's Theatre Momggol and B-Floor Theatre, which won Best Movement-based Performance from the International Association of Theatre Critics (Thailand Centre) last year, was back at Thong Lor Art Space for its second instalment, called The Rite Of Passage.
Silent scream
Life, Kaona Pongpipat, Published on 09/11/2016
» Like most other entertainment and cultural events, artist Sina Wittayawiroj's solo exhibition "Beat Around The Bush" at Bridge Art Space was cancelled last month due to the passing of His Majesty King Bhumibol Adulyadej. It was not the right time, Sina said, because this is a sensitive time and his set of multidisciplinary works attempt to speak about a certain chapter in history, which has remained a taboo.
Where time and space cease to exist
Life, Kaona Pongpipat, Published on 02/11/2016
» How do we picture the world and ourselves? That is one of the key questions asked in "An Atlas Of Mirrors", the fifth edition of Singapore Biennale, which opened last week at various venues with the Singapore Art Museum (SAM) and SAM at 8Q as the main spaces. As many as 63 artists and collectives joined and the result is a gushing forth of narratives -- collective and personal, historical and contemporary, factual and imaginary.
By approval
Life, Kaona Pongpipat, Published on 26/10/2016
» The most pressing issue in the capital's art scene this month is, of course, the well-being of some hundred carp put in the temporary pool as part of photographer Rapat Bunduwanich's "Photo Festival", a show whose title tricks us into thinking that there are other people in the show.
The politics of love
Life, Kaona Pongpipat, Published on 08/09/2016
» Thanapol Virulhakul, critically-acclaimed stage director and choreographer, has a way of giving space a certain significance. His take is usually minimalistic, the stage bare and his actors assigned with limited set of movements, and it is the relentless repetition of those elements that would slowly make up the storyline and become part of the blow in the end.
Brand New World
Life, Kaona Pongpipat, Published on 29/06/2016
» Chiang Mai has long been Bangkok's arch-rival when it comes to being the country's art hub -- the capital has the money and the galleries, while the northern city has the vibe and an increasing role as artists' preferred habitat. This Sunday, Chiang Mai will take a huge leap with the opening of MAIIAM Contemporary Art Museum, a privately owned space by Jean Michel Beurdeley, his late wife Patsri Bunnag and their son Eric Bunnag Booth.
Surachai Petsangrot's enigmatic flowers
Life, Kaona Pongpipat, Published on 02/03/2016
» Surachai Petsangrot's debut solo exhibition "Lone Man And The Flowers", opening last week at Thong Lor Art Space, is cute. Now, the word "cute" isn't very often found in art writing, but that doesn't necessarily mean it's used in a negative sense. His 15 big paintings, plus some 200 sketches, installed throughout five storeys of the space themselves are cute, but the experience of viewing them is another matter. It's complex and fun, a truly experiential affair as opposed to a visit to a regular art gallery.
Post-apocalyptic survival
Life, Kaona Pongpipat, Published on 18/09/2015
» Hitting cinemas in Thailand yesterday, Maze Runner: The Scorch Trials, a sequel to the film series by director Wes Ball based on James Dashner's young-adult science fiction trilogy, is a direct continuation from its first instalment last year, which earned over US$345.5 million (12 billion baht) at the box office worldwide.