Showing 1 - 10 of 42
Chaabi grooves
Life, John Clewley, Published on 04/06/2024
» Morocco and southern Spain were favourite destinations when I was a student in Manchester in the 1970s. We could get a cheap package tour flight to Alicante, ditch the package holiday, jump on a bus to Malaga and then onto Algeciras to take a ferry to Tangiers. We left behind the (more often than not) rainy skies of Manchester for the piercing azure of Morocco's open vistas.
Kurdish artist tops World Music Chart
Life, John Clewley, Published on 07/05/2024
» The top spot on the Transglobal World Music Chart for May 2024 is held by Turkish-born Kurdish singer, composer and instrumentalist Aynur Dogan. She infuses Kurdish folk music with mainly Western music, and has collaborated Yo-Yo Ma and The Silk Road Ensemble among others.
Celebrating three decades of discovery
Life, John Clewley, Published on 27/02/2024
» World Beat celebrates 30 years on the music trail this month. The column started in Feb 1994 when Chuan Leekpai of the Democrat Party was in his first term as Prime Minister.
Cambodian rock via LA
Life, John Clewley, Published on 21/11/2023
» Los Angeles-based band Dengue Fever has released a new studio album, Ting Mong (Tuk Tuk Records, USA), their first for eight years. The release marks the Cambodian-US band's 20th anniversary since their acclaimed self-titled debut in 2003.
A timeless musician
Life, John Clewley, Published on 26/09/2023
» Eliades Ochoa was a key member of the legendary Buena Vista Social Club, which was established in 1996 and organised into a stellar ensemble of Cuban musicians, many of whom performed Cuban music of the 1940s and 1950s -- bolero, son and danzon. An album was released to great acclaim and a film documentary of the group garnered an Academy Award for director Wim Wenders.
The sounds of Africa
Life, John Clewley, Published on 09/05/2023
» The Malian singer/songwriter and guitarist Fatoumata Diawara emerged in 2011 with the EP Kanou and quickly after came her debut and breakthrough release Fatou (Nonesuch, World Circuit). Fatou, which features Diawara's self-penned songs and electric guitar playing (which she claims was a first for a Malian woman) catapulted her to international fame. She has a unique sound, created out of her Southern Malian wassollou roots and Western music she learned growing up in Paris.
Country comes to the city
Life, John Clewley, Published on 31/01/2023
» The All-Thidsa Molam Band was in Bangkok this past weekend to perform at the Thailand International Jazz Conference. World Beat caught up with band last Friday when they played two sets at Isan Spicy BBQ, a rooftop bar at the Jim Thompson Art Center.
Independent in Indonesia
Life, John Clewley, Published on 21/12/2022
» Interest in recorded music, led by DJs and "crate-diggers", has shone a light on some fascinating popular music genres over the past 20-odd years. Soundway Records, set up by Miles Claret in the UK, released its first compilation in 2002 on Afrobeat, funk and fusion from Ghana in the 1970s, and since then has released compilations on African, Caribbean, Latin and Asian music (mainly focusing on the period from 1950s to 1980s, when popular genres were being created by newly independent countries).
Preserving heritage
Life, John Clewley, Published on 22/11/2022
» Field recordings of ancient, traditional music in the Southeast Asia feature in this column. Northern Khmer Spirit Music in Thailand – Kantrum Dongman (Animist Records, 2022) covers the traditional music of "Northern Khmer" people in provinces like Surin, Buri Ram and Si Sa Ket that straddle the Thai-Cambodian border in Thailand's lower Northeast, while Exploring Gong Culture Of Southeast Asia: Massif And Archipelago (Sub Rosa, 2022) covers traditional gong music from 50 different ethnic groups in the Philippines, Borneo, Sulawesi, Vietnam's highlands and northeast Cambodia.
House of the rising Son
Life, John Clewley, Published on 27/09/2022
» Son House is regarded as one of the greats of early blues, along with early recording stars like Charley Patton and Robert Johnson. He made 78rpm records in the 1930s but a spell in penitentiary halted his career and by the 1940s he had abandoned recording. It wasn't until 1964 that Nick Perls, Dick Waterman and Phil Spiro "rediscovered" him working at a gas station. He was completely unaware of the interest in folk blues at the time (Skip James and Bukka White were already playing crossover folk clubs).