Showing 1 - 9 of 9
Asean on screen
Life, Kong Rithdee, Published on 02/09/2020
» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work
Fierce and pitiful
Life, Kong Rithdee, Published on 20/03/2019
» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.
Not the usual fare
Life, Kong Rithdee, Published on 19/10/2018
» Two idiosyncratic filmgoing options for fans of Thai cinema — one classic, one contemporary
Apocalypse again
Life, Kong Rithdee, Published on 08/05/2018
» Colonel Kurtz is returning to Scala. Nearly 30 years after it opened in Bangkok, Apocalypse Now will be screened this Sunday at noon at Scala, as part of Thai Film Archive's World's Classic Cinema series.
8 of the best
Life, Kong Rithdee, Published on 01/01/2016
» The 40th Toronto International Film Festival wrapped last Sunday. Although a non-competitive event -- meaning there were no juries -- the festival did have a People's Choice Award voted for by viewers, which this year went to Lenny Abrahamson's abduction drama Room (last year it was The Imitation Game, which went on to earn several Oscar nominations).
Evocative hymn to Thai rice
Life, Kong Rithdee, Published on 23/01/2015
» This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.
Thawan Duchanee: Losing a legend
Life, Kong Rithdee, Published on 04/09/2014
» National Artist Thawan Duchanee passed away yesterday, but his work and most important philosophy and contribution to popular Thai thought and art will live on
The romanticisation of scars
Life, Kong Rithdee, Published on 15/08/2014
» Is it fair to compare art? To compare, with the case at hand, the new movie version of Plae Kao (The Scar) with the movie version of Plae Kao, out in 1977 and still remembered (even revered) as a classic?
Reaping what they Sow
Life, Kong Rithdee, Published on 24/01/2014
» Rice is what has raised Thailand, but our staple crop hasn't raised many smiles in the Land of Smiles lately. When Uruphong Raksasad set out to make Pleng Khong Khao (The Songs Of Rice) two years ago, he didn't imagine that his documentary would acquire a timely resonance now that the epic mess of the government's rice-pledging scheme has become an escalating imbroglio and national embarrassment. Rice, the filmmaker believes, is the soul of the country, but the song it sings has unfortunately turned into a sad one.