Showing 1 - 10 of 11
Real women rock
B Magazine, Chanun Poomsawai, Published on 05/07/2020
» "Los Angeles, give me a miracle/ I just want out from this," Este, Danielle and Alana Haim waste no time getting down to the (ugly) business of their hometown on the ska-infused opening track of their latest album Women In Music Pt. III.
From the highway all the way to church
B Magazine, Chanun Poomsawai, Published on 22/03/2020
» This year's first unlikely collaboration has officially arrived courtesy of Houston trio Khruangbin and their fellow Texans, Leon Bridges.
Go further west
B Magazine, Chanun Poomsawai, Published on 23/02/2020
» Throughout their decades-spanning career in the music biz, Pet Shop Boys have always operated within the realm of sophisticated synth-pop that advocates varying degrees of dancefloor abandon. For lyricist Neil Tennant and composer Chris Lowe, however, it's not just about the allure of club culture or pure hedonism. From day one, social consciousness gets woven into the sonic fabric of their music. "In a West End town, a dead-end world/ The East End boys and West End girls," Tennant sings about the class and wealth gap on their 1984 debut single West End Girls.
Indie rock done right
B Magazine, Chanun Poomsawai, Published on 09/02/2020
» "When I was 18/ Someone got stabbed in a church/ But I got used to it/ And forgave all the ways and the names/ It was so long ago, anyways," vocalist Jeremy Gaudet recounts on Murder In The Cathedral, the opening track to Kiwi Jr.'s debut album, Football Money. The vivid songwriting, buoyed by his bandmates' jangly instrumentation, is delivered with the kind of drawl that would have you thinking fondly of Pavement's Stephen Malkmus and The Strokes as well as the Modern Lovers' Jonathan Richman and Parquet Courts' Andrew Savage.
Hip-hop's fresh, new voice
B Magazine, Chanun Poomsawai, Published on 26/01/2020
» The first time Thailand was bitten by the rap/hip-hop bug was way back in the mid-90s, when the then unknown Joey Boy introduced the sound and singlehandedly dominated the genre with a slew of hits ranging from Fun, Fun, Fun to Samakom Ta Chan Diew and Loy Talay. Despite being a playful, largely pop-oriented rapper, there's no denying that he was the one who paved the way for daring trailblazers like Fukking Hero, Buddha Bless and Thaitanium.
Forever is a long time
B Magazine, Chanun Poomsawai, Published on 29/09/2019
» Let's be frank, bands like Metronomy are hard to come by these days. Call us myopic, but we honestly can't think of any up-and-coming groups who would be savvy enough to come up with classic indie jams like A Thing For Me, The Look, The Bay and Everything Goes My Way. A knack for blending eclectic genres seems to come naturally to the UK quartet, a gift that served them especially well from 2008's Nights Out through to 2014's Love Letters.
Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.
The Second Sexual Revolution
B Magazine, Chanun Poomsawai, Published on 06/05/2018
» Janelle Monáe/ Dirty Computer
Join the Resistance
B Magazine, Chanun Poomsawai, Published on 02/04/2017
» On her latest record, the transgender eco-feminist warrior makes a case for more activist dialogue and the remedial powers of women.
When dreams become nightmares
B Magazine, Chanun Poomsawai, Published on 22/05/2016
» M83's seventh studio LP defies expectations with a quirky '80s throwback sound, but is likely to put off long-time fans