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LIFE

Time for Asean films to shine

Life, Kong Rithdee, Published on 08/12/2021

» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.

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LIFE

Asean on screen

Life, Kong Rithdee, Published on 02/09/2020

» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work

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LIFE

Not the usual fare

Life, Kong Rithdee, Published on 19/10/2018

» Two idiosyncratic filmgoing options for fans of Thai cinema — one classic, one contemporary

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LIFE

Asean films receive special showcase

Life, Kong Rithdee, Published on 04/07/2018

» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.

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LIFE

Strange brew

Life, Kong Rithdee, Published on 29/03/2018

» He went down to the crossroads, fell down on his knees, asked the Lord for mercy -- and somehow got it. In this biopic documentary, Eric Clapton -- his place in the pantheon of guitar god-dom guaranteed -- is a tragic genius denounced by his own mother and nurturing a desperate crush on his best friend's wife, which kept his guitar wailing and weeping. Here's a 60s-70s blues-rock maverick who sold his soul to heroin, cocaine, cognac, whatever, and when he emerged from the pit and things began to feel wonderful tonight, he lost his son in a terrible, terrible accident. That a new documentary about his life to date is allowed to end happily is proof that rock'n'roll (and life itself) can cheat the claws of fate and go on for longer than 12 bars.

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LIFE

Windows on the world

Life, Kong Rithdee, Published on 28/09/2017

» As Hussain Currimbhoy sees it, this is a golden age for documentary filmmaking, a time when the criss-crossing narratives of the world tangle with audiences' growing suspicion over traditional media. The emergence of streaming services has also revolutionised distribution philosophy and connected doc-makers with audiences in ways unseen before, especially with audiences who once had little interest in documentary titles.

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LIFE

A new vision on Siam's enduring symbol

Life, Kong Rithdee, Published on 26/04/2017

» The elephant and the man, walking down the road to redemption and encountering the wounded and the marginalised, the madmen and the prostitutes. In the film Pop Aye, which will kick off Bangkok Asean Film Festival 2017 this evening (see sidebar), the fine-tusked beast accompanies the lost soul as the duo find their way home from Bangkok to the Northeast.

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LIFE

Giving women a voice

Life, Kong Rithdee, Published on 03/03/2017

» A robust line-up of films is coming to us in HeForShe Arts Week Bangkok Film Festival. Organised by UN Women, next week's festival has selected films with messages on gender equality -- or inequality -- and unfair treatment of women in different cultures (not just in the "Third World" countries, to be sure). It sounds heavy, but the good thing is that the titles picked for the event this year are entertaining and heartfelt on top of being socially relevant.

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LIFE

That precious gold statuette

Life, Kong Rithdee, Published on 24/02/2017

» The Oscars takes place Monday morning Thailand time. We pontificate and prognosticate the results

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LIFE

Colourful journey into Thailand's soul

Life, Kong Rithdee, Published on 20/01/2017

» The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.