Showing 1 - 10 of 11
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
Life, Kong Rithdee, Published on 13/10/2023
» Like Dante guided by Virgil, Marina Abramovic drifts through the purgatory that is Bangkok chaperoned by the little monkey prince. After praying at shrines and temples of assorted spiritual inclinations, she is taken to the Monkey King (Pichet Klunchun), whose rhymed, melodic prophecy finally guides Abramovic to the prayer hall of Wat Pho where her salvation awaits clad in a saffron robe.
Life, Kong Rithdee, Published on 10/03/2023
» The Oscars are once again upon us and Life goes out on a limb to pick the peaches.
Life, Kong Rithdee, Published on 27/05/2022
» The maestro is teasing us, with his favourite instrument: the scalpel. Mechanical, electrified scalpels that split open the flesh -- often, the belly -- like a bulging purse being unzipped. This time, what comes out of the belly is a menagerie of grotesque organs -- organs with neither names nor functions, grown inside the body primed for involuntary evolution.
Life, Kong Rithdee, Published on 25/03/2022
» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.
Life, Kong Rithdee, Published on 12/10/2021
» An Indonesian teen drama and Cambodian prize-winner shine at Busan Film Festival.
Life, Kong Rithdee, Published on 13/09/2021
» The Naga is real but the murder is not. Or is it vice versa? What history chooses to remember and relegate to oblivion, what it enshrines as story and what it buries as hearsay, is how the narrative of a nation is forged in a mould of clay or a furnace of fire. Or in this particular case, in disembowelled bodies stuffed with concrete blocks. The murder is real but the Naga is not. This sounds more like it.
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
Life, Kong Rithdee, Published on 20/11/2020
» 'Happy families are all alike," said Tolstoy, "every unhappy family is unhappy in its own way."
Life, Kong Rithdee, Published on 16/09/2020
» This year's theme is at once hopeful and ironic: "Escape Routes" suggests a flight from our unusual times of pathological disruption and political cataclysm -- here, there and everywhere -- and yet the theme is an acknowledgment of those in-our-face uncertainties from which we struggle to find an exit.