Showing 1 - 10 of 34
World's in a spin
Life, John Clewley, Published on 23/04/2024
» Record Store Day has been part of the music scene for 20 years now, held twice a year in April and "Black Friday" in November. The day-long event is held to celebrate independent record stores around the globe, bringing together musicians, producers, media, DJs and retailers to enjoy new and reissued vinyl gems.
Farewell to a maestro
Life, John Clewley, Published on 10/04/2024
» The world of molam has been in mourning since news emerged that Thailand's greatest phin player Thongsai Thap Thanon passed away on March 20 at his home in Warin Chamrap district, Ubon Ratchathani, at the age of 77. The phin is a two- or three-stringed Isan Lao lute that is part of the trinity of molam instruments, along with the iconic khaen (free reed bamboo mouth organ) and the sor (fiddle).
Celebrating three decades of discovery
Life, John Clewley, Published on 27/02/2024
» World Beat celebrates 30 years on the music trail this month. The column started in Feb 1994 when Chuan Leekpai of the Democrat Party was in his first term as Prime Minister.
Fusing different musical worlds
Life, John Clewley, Published on 13/02/2024
» Klezmer is the music of Ashkenazi Jews, who created the music in Central and Eastern Europe in the 16th century. Although mainly instrumental, the music is usually sung in Yiddish. It was hugely popular before the destruction of Yiddish communities in Central Europe during the Holocaust. Professional Klezmer musicians who escaped to the US founded large klezmer orchestras in the first two decades of the 20th century, who competed with jazz ensembles and Irish big bands in New York.
Farewell to a legend
Life, John Clewley, Published on 05/12/2023
» News of the passing of frontman and singer of The Pogues, Shane MacGowan, on Nov 30 sent shockwaves of sadness around the world of Irish music. Tributes were published across media, from the Irish president to his former bandmates.
A joyous sound
Life, John Clewley, Published on 07/11/2023
» In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.
Remembering an icon
Life, John Clewley, Published on 01/08/2023
» On July 13, luk thung singer, actor, movie/TV producer and label owner Phanom Nopporn passed away in hospital at the age of 77. One of the giants of the "country music" genre, fans and stars of the luk thung industry attended his funeral on July 18 at Wat Bang Rak Noi Ban Sai in Nonthaburi.
Root of the matter
Life, John Clewley, Published on 20/07/2023
» Earlier this year, Craft Recordings released the 2CD compilation Birth Right: A Black Roots Music Compendium with the aim of introducing the astonishing variety and depth of black roots music in the US in just 40 songs. Historian Dr Ted Olson and producer Scott Billington have done a great job of presenting a wide range of styles and genres -- from trad jazz to gospel to Louisiana la-la to Gullah music to country blues to brass bands. It's a fascinating musical ride for the listener.
The vinyl comeback
Life, John Clewley, Published on 25/04/2023
» Music fans and "crate diggers" enjoyed Record Store Day (RSD) last weekend. The inaugural event was first held in the US in 2007, on the third Saturday of April and on Black Friday in November. The idea, according to USA Today, was to "celebrate the culture of the independently owned record store" and indie outlets banded together with the support of the Coalition of Independent Music Stores and the Alliance of Independent Media Stores.
When two worlds collide
Life, John Clewley, Published on 14/03/2023
» In 1978, Lebanese band Ferkat Al Ard released their debut album Oghneya in Beirut. It was a groundbreaking release that brought together Lebanese folk music, Arabic strings, Brazilian bossanova and jazz (mainly fusion) into a gloriously lush sound that requires the listener to reconsider Lebanese music. Brazil in Beirut? How did that happen?