Showing 1 - 10 of 13
Modernising Mexican groove
Life, John Clewley, Published on 28/03/2026
» The Mexican Institute of Sound (MIS), founded in 2004 by Mexico City-based DJ and record producer Camilo Lara, is a project to bring together fusions of folk and traditional music with digital production and electronica. MIS started as a side project, based on Lara's own remixing of popular tracks.
Celebrating three decades of discovery
Life, John Clewley, Published on 27/02/2024
» World Beat celebrates 30 years on the music trail this month. The column started in Feb 1994 when Chuan Leekpai of the Democrat Party was in his first term as Prime Minister.
From melons to molam
Life, John Clewley, Published on 02/01/2024
» The Jim Thompson Farm Tour in Pak Thong Chai, Korat, is back after the challenges of Covid lockdowns and economic slowdowns, with a leaner, more focused tour which this year runs from now until Friday.
And ya don't stop!
Life, John Clewley, Published on 16/08/2023
» On Aug 11, New York City celebrated the 50th anniversary the birth of hip-hop with exhibitions, concerts and street art across the five boroughs.
The sound of Syria
Life, John Clewley, Published on 06/12/2022
» Taraf Syriana is an ensemble of virtuoso master musicians from diverse ethnic backgrounds who play traditional music from Syria and surrounding cultures and countries. The group plays folk music from the Balkans to Syria, and this week they will launch an eponymously titled debut album on the Lulaworld record label in Canada.
Queen of Molam honoured
Life, John Clewley, Published on 28/09/2021
» The late National Artist Bunpheng Faiphiuchai featured on Google Doodle last week, as the search engine celebrated what would have been her 89th birthday on Sept 22. She was one of the most influential molam performers of her generation, and a pioneer in the recording of molam on vinyl. According to Google Doodle's blurb, by 1955 she had recorded "more full-length albums than any other woman in the genre" and that is why she was the first molam to be given the title "Queen Of Molam".
Documenting a documentarian
Life, John Clewley, Published on 14/09/2021
» Alan Lomax, who died in 2002 at the age of 87, wore many hats. In his long life, which spanned much of the 20th century, he worked as a folklorist, archivist, producer, writer, scholar, oral historian and filmmaker. He was also a musician and producer who played a key role in researching and preserving folk traditions, particularly in the US and England (spurring the folk revivals in the 1940s, 1950s and early 1960s in both countries).
Festive farewell
Life, John Clewley, Published on 17/08/2021
» The closing ceremony of the recent Tokyo Olympics was a surprise for many people. The organisers, recognising that many athletes were unable to explore Tokyo due to restrictions, transformed the Olympic stadium into a massive public park. The park featured typical Japanese leisure activities like yoga and rope skipping and a short film that showed the athletes what Japanese festival music and dancing is like, with clips from the Ainu in Hokkaido, Eisa dancing from Okinawa and Gujo Odori from Gifu, which led to live Bon Odori dancing in the stadium, driven by a booming taiko drum.
Keep on rockin' in a lockdown
Life, John Clewley, Published on 14/04/2020
» The sonic landscape of my life in central Bangkok has changed dramatically over the past few weeks of social distancing. Gone are the sounds of construction drills, booming pile drivers, honking horns, unmuffled motorcyles and throbbing tuk-tuks. I can hear birdsong of all kinds in the mornings and, at dusk, the whirring and squeaking of different bat species as they zoom around hunting for insects.
The doctor is out
Life, John Clewley, Published on 11/06/2019
» Dr John, the High Priest of New Orleans' hoodoo, the Night Tripper and one of the heirs to Professor Longhair's legacy, died last week at the age of 77. He was widely regarded as one of the Crescent City's most accomplished musicians -- a master bandleader, songwriter, guitarist, voodoo showman and pianist. He was comfortable moving between blues, jazz, funk, boogie-woogie and anything else he fancied, and he was known as a keeper of New Orleans' piano traditions.