Showing 1 - 10 of 12
Modernising Mexican groove
Life, John Clewley, Published on 28/03/2026
» The Mexican Institute of Sound (MIS), founded in 2004 by Mexico City-based DJ and record producer Camilo Lara, is a project to bring together fusions of folk and traditional music with digital production and electronica. MIS started as a side project, based on Lara's own remixing of popular tracks.
African voodoo vibes are resurrected on Antoine Dougbe Et L'Orchestre Poly-Rythmo
Life, John Clewley, Published on 14/03/2026
» Benin is little known for its influence on African popular music. It is better known as the home of vodun, an ancient religion native to West Africa and the root of the syncretic religion voodoo found in Haiti and New Orleans.
Exile songs resurface
Life, John Clewley, Published on 27/09/2025
» From the early 1970s to the 80s, Mogadishu boasted one of the Horn of Africa's liveliest night scenes with groups from this "Golden Era" like Dur Dur Band entertaining at clubs and hotels across the city. A coup in 1991 and subsequent civil war put a stop to the music and musicians had to go underground or migrate. Those who went by the latter route took their music and culture across the Somali diaspora (one of Africa's largest).
Blessed be the funk
Life, John Clewley, Published on 18/06/2025
» Last week, two giants of US popular music passed away. Beach Boys legend, composer/songwriter Brian Wilson, and funk pioneer Sly Stone of Sly & The Family Stone fame.
The sound of Syria
Life, John Clewley, Published on 06/12/2022
» Taraf Syriana is an ensemble of virtuoso master musicians from diverse ethnic backgrounds who play traditional music from Syria and surrounding cultures and countries. The group plays folk music from the Balkans to Syria, and this week they will launch an eponymously titled debut album on the Lulaworld record label in Canada.
Spellbinding collaboration proves less is more
Life, John Clewley, Published on 21/06/2022
» I once had the rare privilege to see the great bluesman and songwriter Earl King, who wrote the New Orleans Mardi Gras anthem Big Chief, perform in a small club in Tokyo. Before he took to the stage another band performed, with a well-known young blues guitarist playing fast action licks and riffs at breakneck speed. In complete contrast, when Earl King played guitar he played far fewer notes, paring down the music to its essentials. I can still remember King's playing, but I can't recall anything the young pretender played.
Longing for the homeland
Life, John Clewley, Published on 04/01/2022
» Mali emerged on international stages in the mid-1980s with singers like Salif Keita and bands like Bamako's legendary Rail Band du Buffet Hotel de la Gare (which launched the careers of both Salif Keita and the late Mory Kante). These singers are from the central region, they perform music of the Mande people and have been joined by music from other regions, notably from the southern Wassoullou region (music from megastars like Oumou Sangare) and northern and eastern Mali, the latter of which was promoted by the late guitarist/singer Ali Farka Toure.
Forging his own path
Life, John Clewley, Published on 22/06/2021
» When Ethiopian music maestro Hailu Mergia toured the US with the Ethio jazz and funk Walias Band in the early 1980s, he had no idea he would become a taxi driver in his adopted country.
Riding the clog dancing wave
Life, John Clewley, Published on 11/05/2021
» People have been wearing wooden footwear for centuries.
A smoother blue from North Mississippi Allstars
Life, John Clewley, Published on 13/04/2021
» In 2014, I wrote a review about the unique sound of blues rockers North Mississippi Allstars (NMA), whose music is rooted in the "fife and drum" culture of North Mississippi. Unlike in the Mississippi delta, which has a distinctive brand of guitar-driven blues, North Mississippi African-American hill country musicians use fifes (a small shrill flute used in 19th-century military bands), fiddles, banjos, tambourines, snare drums and a huge bass drum to create their local sound.