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Search Result for “domestic gold price”

Showing 1 - 10 of 21

LIFE

Rhythms of the Northeast

Life, John Clewley, Published on 21/02/2026

» The first Maha Morlum Festival, a showcase soft power event, was held in Maha Sarakham from Feb 13-14 and World Beat travelled to the Isan province to enjoy the two-day, one-night immersive experience promised by the event's organisers.

LIFE

Exile songs resurface

Life, John Clewley, Published on 27/09/2025

» From the early 1970s to the 80s, Mogadishu boasted one of the Horn of Africa's liveliest night scenes with groups from this "Golden Era" like Dur Dur Band entertaining at clubs and hotels across the city. A coup in 1991 and subsequent civil war put a stop to the music and musicians had to go underground or migrate. Those who went by the latter route took their music and culture across the Somali diaspora (one of Africa's largest).

LIFE

Genre-bending greats

Life, John Clewley, Published on 16/07/2024

» Swamp Dogg (real name Jerry Williams Jr) is a well-known black American singer, songwriter, producer and Williams Jr's alter ego. A few years back, I wrote about Blame It On The Dogg: The Swamp Dogg Anthology 1968-1978, which features some of his hit R&B songs (put out under his real name and alter ego), such as She's A Heartbreaker by Gene Pitney and Stop Knocking by Ruth Brown.

LIFE

Echoes of Isan

Life, John Clewley, Published on 12/03/2024

» Sombat Simla is one of Thailand's top khaen players. He's been bending the notes of his khaen baet (eight rows of double pipes, sixteen in total) for more than 50 years.

LIFE

Remembering an icon

Life, John Clewley, Published on 01/08/2023

» On July 13, luk thung singer, actor, movie/TV producer and label owner Phanom Nopporn passed away in hospital at the age of 77. One of the giants of the "country music" genre, fans and stars of the luk thung industry attended his funeral on July 18 at Wat Bang Rak Noi Ban Sai in Nonthaburi.

LIFE

The sounds of Africa

Life, John Clewley, Published on 09/05/2023

» The Malian singer/songwriter and guitarist Fatoumata Diawara emerged in 2011 with the EP Kanou and quickly after came her debut and breakthrough release Fatou (Nonesuch, World Circuit). Fatou, which features Diawara's self-penned songs and electric guitar playing (which she claims was a first for a Malian woman) catapulted her to international fame. She has a unique sound, created out of her Southern Malian wassollou roots and Western music she learned growing up in Paris.

LIFE

Suave guitar grooves

Life, John Clewley, Published on 28/03/2023

» The late Malian singer and guitarist Ali Farka Toure took his music on the road, travelling from his beloved farm in Niafunke, in northwestern Mali, to thrill audiences around the globe, until his untimely death in 2006.

LIFE

Country comes to the city

Life, John Clewley, Published on 31/01/2023

» The All-Thidsa Molam Band was in Bangkok this past weekend to perform at the Thailand International Jazz Conference. World Beat caught up with band last Friday when they played two sets at Isan Spicy BBQ, a rooftop bar at the Jim Thompson Art Center.

LIFE

When East meets West

Life, John Clewley, Published on 17/01/2023

» In 2017, the Japanese band Minyo Crusaders released their debut album, Echoes Of Japan (P-Vine, Japan), to great acclaim. The band's reworking and updating of Japanese folk music, or minyo, on a rhythmic bed of Caribbean, Latin and Afrobeat was truly inspired, and perhaps pointed the way for other fusion bands in East and Southeast Asia. The aim was to revive minyo as "music for the people", as quoted by World Music Central.

LIFE

House of the rising Son

Life, John Clewley, Published on 27/09/2022

» Son House is regarded as one of the greats of early blues, along with early recording stars like Charley Patton and Robert Johnson. He made 78rpm records in the 1930s but a spell in penitentiary halted his career and by the 1940s he had abandoned recording. It wasn't until 1964 that Nick Perls, Dick Waterman and Phil Spiro "rediscovered" him working at a gas station. He was completely unaware of the interest in folk blues at the time (Skip James and Bukka White were already playing crossover folk clubs).