Showing 1 - 10 of 36
African voodoo vibes are resurrected on Antoine Dougbe Et L'Orchestre Poly-Rythmo
Life, John Clewley, Published on 14/03/2026
» Benin is little known for its influence on African popular music. It is better known as the home of vodun, an ancient religion native to West Africa and the root of the syncretic religion voodoo found in Haiti and New Orleans.
Exile songs resurface
Life, John Clewley, Published on 27/09/2025
» From the early 1970s to the 80s, Mogadishu boasted one of the Horn of Africa's liveliest night scenes with groups from this "Golden Era" like Dur Dur Band entertaining at clubs and hotels across the city. A coup in 1991 and subsequent civil war put a stop to the music and musicians had to go underground or migrate. Those who went by the latter route took their music and culture across the Somali diaspora (one of Africa's largest).
Fresh new sounds
Life, John Clewley, Published on 24/12/2024
» Justin Adams and Mauro Durante's second album Sweet Release (Ponderosa Records) tops the Transglobal World Music Chart for December. This fusion album carries on the collaboration from the success of their debut Still Moving, in 2021.
Echoes of Persia
Life, John Clewley, Published on 22/10/2024
» The santur is an ancient stringed instrument, a dulcimer, with 72 strings that can be dated to 500 BC. Assyrian and Babylonian stone carvings show the instrument back in 669 BC. The instrument spread widely in the Middle East and later further afield where it morphed into the hammered dulcimer, the qanun, cimbalom, Indian santoor and even the Thai classical instrument, the kim.
A fresh take on mbalax
Life, John Clewley, Published on 24/09/2024
» In the early 1980s, Senegalese singer Youssou N'dour performed at the Africa Centre in London as part of a club night called the Limpopo Club. It was the first time mbalax, the dance music popular in the Senegambia, had been heard in London and I like so many intrigued rushed off to buy his Immigres album released in 1984 on the UK Earthworks label.
A farewell to icons
Life, John Clewley, Published on 30/07/2024
» Several great music masters made their final journey during the past few weeks, several of whom have been World Beat favourites since the early days of the column back in the 1990s.
Satanic sounds from the jungle
Life, John Clewley, Published on 02/07/2024
» In the 1960s in Peru, a funky popular style emerged in the oil-boom cities of the Amazon. It was largely based on Colombian cumbia and Andean tropical music but using the pentatonic scale of Andean music. Additional ingredients include highland huayno, Cuban percussion, psych and surf rock (especially twangy guitars, with as many as three playing together) and plenty of spacey keyboards.
A joyous sound
Life, John Clewley, Published on 07/11/2023
» In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.
A timeless musician
Life, John Clewley, Published on 26/09/2023
» Eliades Ochoa was a key member of the legendary Buena Vista Social Club, which was established in 1996 and organised into a stellar ensemble of Cuban musicians, many of whom performed Cuban music of the 1940s and 1950s -- bolero, son and danzon. An album was released to great acclaim and a film documentary of the group garnered an Academy Award for director Wim Wenders.
The sounds of Africa
Life, John Clewley, Published on 09/05/2023
» The Malian singer/songwriter and guitarist Fatoumata Diawara emerged in 2011 with the EP Kanou and quickly after came her debut and breakthrough release Fatou (Nonesuch, World Circuit). Fatou, which features Diawara's self-penned songs and electric guitar playing (which she claims was a first for a Malian woman) catapulted her to international fame. She has a unique sound, created out of her Southern Malian wassollou roots and Western music she learned growing up in Paris.