Showing 1 - 10 of 12
Modernising Mexican groove
Life, John Clewley, Published on 28/03/2026
» The Mexican Institute of Sound (MIS), founded in 2004 by Mexico City-based DJ and record producer Camilo Lara, is a project to bring together fusions of folk and traditional music with digital production and electronica. MIS started as a side project, based on Lara's own remixing of popular tracks.
Carrying the torch forward
Life, John Clewley, Published on 04/02/2025
» Rizwan-Meuzzam Qawwali Group is a Pakistani Qawwali ensemble led by brothers Rizwan and Muazzam Ali Khan. The duo performs with their seven-member party, who provide harmonium, percussion and handclaps. The singing brothers are nephews of the late great Nusrat Fateh Ali Khan, who popularised the Islamic Sufi genre worldwide before his untimely death at 48 in 1997.
Echoes of Persia
Life, John Clewley, Published on 22/10/2024
» The santur is an ancient stringed instrument, a dulcimer, with 72 strings that can be dated to 500 BC. Assyrian and Babylonian stone carvings show the instrument back in 669 BC. The instrument spread widely in the Middle East and later further afield where it morphed into the hammered dulcimer, the qanun, cimbalom, Indian santoor and even the Thai classical instrument, the kim.
Bridging cultures
Life, John Clewley, Published on 18/06/2024
» In 2011, Iraqi musician, actor and writer Ahmed Moneka was working as an artist and actor. He studied at Baghdad's Institute of Fine Art and, according to Canada's The Globe And Mail, he was the first black TV presenter in the country. His father, also a well-known comedy actor, was the pioneer. Moneka went into the "family business".
The sounds of Africa
Life, John Clewley, Published on 09/05/2023
» The Malian singer/songwriter and guitarist Fatoumata Diawara emerged in 2011 with the EP Kanou and quickly after came her debut and breakthrough release Fatou (Nonesuch, World Circuit). Fatou, which features Diawara's self-penned songs and electric guitar playing (which she claims was a first for a Malian woman) catapulted her to international fame. She has a unique sound, created out of her Southern Malian wassollou roots and Western music she learned growing up in Paris.
Compilation honours legacy of Jamaican giant
Life, John Clewley, Published on 13/09/2022
» A year after the death of legendary Jamaican reggae musician and producer Lee "Scratch" Perry, the good folks at Trojan Records have released the very first posthumous anthology of the influential artist's unparalleled career, King Scratch (Musical Masterpieces From The Upsetter Ark-ive).
Forging his own path
Life, John Clewley, Published on 22/06/2021
» When Ethiopian music maestro Hailu Mergia toured the US with the Ethio jazz and funk Walias Band in the early 1980s, he had no idea he would become a taxi driver in his adopted country.
Roots of rumba Congolais
Life, John Clewley, Published on 13/10/2020
» Soul Jazz Records' recent compilation on the early years of Congolese popular music, Congo Revolution - Revolutionary And Evolutionary Sounds From The Two Congos 1955-62, is a must have for fans of African popular music.
Look for the light
Life, John Clewley, Published on 01/09/2020
» Record Store Day arrived on Saturday a little more subdued than in previous years. The one-day event, which began in 2008, normally drops on a Saturday in April but with the Covid-19 pandemic the date was delayed; two further dates -- Sept 26 and Oct 24 have been added so that independent record stores can generate some much-needed revenue.
Mory Kante is gone, but not forgotten
Life, John Clewley, Published on 26/05/2020
» In 1987, the singer and kora (21-stringed African harp) player Mory Kante released his fifth studio album, Akwaba Beach. The Guinean-born musician included a number of interesting songs including an Islamic song, Inch Allah, but it was the 12-inch single from the album Yé Ké Yé Ké that caused a sensation as it became the first single from Africa to sell more than a million copies. The song swept into the charts across Europe, and if you were walking around the bars and clubs in Bangkok during that period, you could hear the song everywhere.