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Search Result for “weight”

Showing 1 - 10 of 19

OPINION

Living in Thailand's age of impunity

News, Kong Rithdee, Published on 17/01/2026

» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.

LIFE

Pen-ek Ratanaruang's Morte Cucina shows off killer Thai cuisine at Tokyo film festival

Life, Kong Rithdee, Published on 31/10/2025

» Pen-ek Ratanaruang's new film features a protagonist on a quest for culinary retribution -- a triglyceride revenge trip that gets greasier and weirder along the way.

LIFE

Marina's soul searching in Bangkok

Life, Kong Rithdee, Published on 13/10/2023

» Like Dante guided by Virgil, Marina Abramovic drifts through the purgatory that is Bangkok chaperoned by the little monkey prince. After praying at shrines and temples of assorted spiritual inclinations, she is taken to the Monkey King (Pichet Klunchun), whose rhymed, melodic prophecy finally guides Abramovic to the prayer hall of Wat Pho where her salvation awaits clad in a saffron robe.

OPINION

Pita and the 'Myth of Sisyphus'

Oped, Kong Rithdee, Published on 15/07/2023

» 'The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight."

LIFE

Apichatpong's memory of the world

Life, Kong Rithdee, Published on 30/06/2021

» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.

LIFE

Through the prism of history

Life, Kong Rithdee, Published on 04/10/2019

» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.

LIFE

An imperfect world

Life, Kong Rithdee, Published on 21/05/2019

» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?

LIFE

Jim Jarmusch's zombies open Cannes

Life, Kong Rithdee, Published on 16/05/2019

» 'Infernal hipsters and their irony." So says a very unhip character in The Dead Don't Die, and of course, what else could it be? Jim Jarmusch's zombie comedy opened the 72nd Cannes Film Festival on Tuesday night with a sort-of infernal hipness that both literalises and subverts the zombie formula -- with mixed results.

LIFE

Fierce and pitiful

Life, Kong Rithdee, Published on 20/03/2019

» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.

LIFE

The skin I live in

Life, Kong Rithdee, Published on 11/01/2019

» The body is a temple. But it can also be a torture chamber, from which escape, while possible, is soul-crushing. Lukas Dhont's Girl is an emphatic, moving story about Lara (Victor Polster), a Belgian trans teen at an elite ballet school who's going through male-to-female gender reassignment. That she has to contend with her own hormones and pre-assigned biological specifics, as well as the fact that her chosen career mandates extreme rigour in how the body should bend and behave, Lara's fight is nothing short of heroic. And in that vein, the film is as well.