Showing 1 - 10 of 10
Pen-ek Ratanaruang's Morte Cucina shows off killer Thai cuisine at Tokyo film festival
Life, Kong Rithdee, Published on 31/10/2025
» Pen-ek Ratanaruang's new film features a protagonist on a quest for culinary retribution -- a triglyceride revenge trip that gets greasier and weirder along the way.
2024 movie moments
Life, Kong Rithdee, Published on 17/12/2024
» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.
The Year of Great Reckoning
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
Revisiting Wong's dance of desire
Life, Kong Rithdee, Published on 30/10/2020
» Drenched with desire, Wong Kar-wai's In The Mood For Love feels like a plush, vivid dream lodged in the deepest recess of a lover's heart. Now, the heart is beating again and the dream is being projected on the big screen some 20 years after the film first stunned audiences at Cannes and launched a wave of copycats around Asia.
Through the looking glass
Life, Kong Rithdee, Published on 15/02/2019
» Tish Rivers, the woman in James Baldwin's novel If Beale Street Could Talk, muses to the reader in the book's first pages: "I hope that nobody has ever had to look at anybody they love through glass."
All eyes on Asia
Life, Kong Rithdee, Published on 05/10/2018
» Asia's premier cine-event took off last night. The 23rd Busan International Film Festival once again draws all attention to the South Korean port city as it hosts the annual showcase of films, especially Asian films. One part to promote the South Korean film industry -- a formidable machine of creativity and commerce -- and one part to reign as a centre of filmmaking activity in this part of the world, Busan has gone through some bumps, political and managerial, but remains steadfast in being in the biggest in Asia.
Thai idols fall in line with orthodoxy
News, Kong Rithdee, Published on 01/09/2018
» Poor coup-makers, no one wants to see them on TV. At 6pm sharp when the theme song begins, there's a rush of hands to the remote control. Not that you can escape them. The true mark of dictatorship is audiovisual dictatorship: They beam their images on every TV and radio channel, monopolising your sensory reception, like a sci-fi movie, or like a spoiled child demanding your full attention. At 6pm every day for the past four years, the hands clutching the remote have reached for the only possible button. Off.
Lights out at Lido, but can art hub shine?
News, Kong Rithdee, Published on 02/06/2018
» It was a tearful farewell at the Lido Theatre on Thursday night, with a thousand fans congregating to say goodbye to the old-school, unglamorous, 50-year-old cinema in Siam Square. After the last picture show on May 31, all Lido’s staff and managers lined up like a guard of honour to wai and thank the audiences filing out of the rooms, a surprise parting shot that tugged deeply at the heart strings of even the most unsentimental viewers. To paraphrase Chris Hemsworth, aka Thor of Asgard, Lido is not a place but a people. It’s also a memory. That’s why we wept. That’s what we’ll miss Lido for.
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.
Paper-thin alibi for kids' day gun play
News, Kong Rithdee, Published on 13/01/2018
» The irony must have been lost on him and on everyone around him. This Children's Day -- the day of machine guns, tanks and rocket launchers -- Thai kids will also get to take pictures with our cardboard prime minister, 10 standees in fact, in various poses and costumes deployed around Government House as special attractions.