Showing 1 - 7 of 7
Journalism is the first victim in a conflict
Oped, Kong Rithdee, Published on 31/07/2025
» In times of chaos, to call for calm seems naïve. "Imagine there's no countries." Sure, John, I know your utopianism was well-intended, but try telling that to the blood-hounding jingoists running rampant online in Cambodia and Thailand.
Be my guest
Life, Kong Rithdee, Published on 13/12/2019
» Some arrived by boat, others by air. Some came when the British still ruled their homeland, others were driven by the bloodshed of The Partition. Some came with numerous gods, others with the one and only Allah. Some came from near Bombay, others from in and around Madras. Some came with the intention of returning, others arrived knowing that there was no going back.
The many interpretations of bliss
Life, Kong Rithdee, Published on 08/10/2018
» With the monsoon comes the art. With the wind and bluster come the artists. Here it is, finally, after a year of fanfare and preparation. The first Bangkok Art Biennale 2018 (BAB 2018) will open on Oct 18 and run until next February in a city-wide surfeit of artistic affairs, from exhibitions to talks, workshops to pool parties (which is, of course, art!). The programme will keep Bangkokians and visitors busy for months starting from next week.
A poll date and elephant in the room
News, Kong Rithdee, Published on 25/08/2018
» We've heard distant drumbeats and dates are being thrown around. The election will -- may -- happen on Feb 24, 2019, which is the Year of the Pig, if that portends anything. The latest possible date, if things get pushed around by design or by fate, is May. Maybe. Maybe not. Maybe never. Who knows? For a regime that prides itself as rule-keepers, rules and promises have been treated like toilet paper since day one.
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.
Beyond the cinematic glitz
B Magazine, Kong Rithdee, Published on 20/05/2018
» In the past 10 days the seaside city of Cannes has been in the news with noisy fanfare and dazzling colour, led by pictures of bare-shouldered stars sauntering down the red carpet on a daily basis. It happens every year in May, as the world's largest cine-event, the Cannes Film Festival, attracts thousands of journalists, photographers and industry professionals to the Mediterranean resort town made out to become a self-contained universe of glamour. Throughout its 71st edition, which ended yesterday, Cannes once again commanded the attention of the world.
Wandering narrative
Life, Kong Rithdee, Published on 09/02/2018
» There's a good film somewhere inside Sad Beauty, though I'm unable to locate its exact spot. It feels like something is on the verge of taking shape out of smoke and mirrors, something that could mean something. But it never is.