Showing 1 - 10 of 27
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Life, Kong Rithdee, Published on 07/02/2024
» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)
Life, Kong Rithdee, Published on 02/09/2022
» A man returns home from work in Malaysia after Covid-19 struck, then gets lost in a bureaucratic labyrinth trying to get government handouts. Another woman finds a job at a factory, but the rules require her to compromise her faith. In Yala, a skater boy sets out in search of a friendly park where he can enjoy his ride. A hijab-wearing K-pop fanatic is getting married to a man who has just converted to Islam. And in a Pattani family, a young man watches his mother being possessed by a spirit, possibly a black-magic attack from his business rival.
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
Life, Kong Rithdee, Published on 13/01/2022
» At Maya Bay, hawk-eyed park officials patrol the sandy stretch, whistles at the ready. It was a gorgeous morning last Thursday, just days after the fabled beach on Phi Phi Leh Island had reopened after three years of closure, and the 300 or so holidaymakers, masked or otherwise, were ambling or striking catwalk poses on the pillow-soft sand, awestruck by the emerald splendour around them.
Life, Kong Rithdee, Published on 13/09/2021
» The Naga is real but the murder is not. Or is it vice versa? What history chooses to remember and relegate to oblivion, what it enshrines as story and what it buries as hearsay, is how the narrative of a nation is forged in a mould of clay or a furnace of fire. Or in this particular case, in disembowelled bodies stuffed with concrete blocks. The murder is real but the Naga is not. This sounds more like it.
Life, Kong Rithdee, Published on 16/09/2020
» This year's theme is at once hopeful and ironic: "Escape Routes" suggests a flight from our unusual times of pathological disruption and political cataclysm -- here, there and everywhere -- and yet the theme is an acknowledgment of those in-our-face uncertainties from which we struggle to find an exit.
Life, Kong Rithdee, Published on 18/03/2020
» The two-channel video work by Ampannee Satoh begins with specks of light and ends, naturally, with darkness. Two cameras were attached at the bow and stern of a fishing boat, purportedly the same type used by Rohingya refugees when they fled whatever was hounding them into the sea. The images they captured are wobbly, disoriented, seasick-inducing, and for 20 minutes they simulate the experience of being lost at sea in the middle of the night -- the experience of displaced people unmoored in the lightless sea.