Showing 1 - 9 of 9
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.
Life, Kong Rithdee, Published on 17/01/2020
» In Robert Eggers' The Lighthouse, Willem Dafoe is a demented Poseidon, or perhaps a crazed, ocean-battered ex-sailor on the run from a Melville novel. Playing one of the two lighthouse keepers on a wind-whipped rocky islet in the Atlantic, circa 1890s, Dafoe turns up his mad-uncle mode, feral hair, chronic farting and drawling speech, plus a possessive relationship with the lantern -- the source of light atop the lighthouse (he refers to it as a "she").
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
Life, Kong Rithdee, Published on 02/11/2018
» The original 1977 Suspiria was a trashy bloodbath, an Italian giallo at its most lurid and disturbing -- a lair of maggots, murderers and witches. The remake, in cinemas this week, is high-trash Euro art house, more bourgeois and hipsterish -- a baroque nightmare whose danse macabre has been upgraded to fit the faces and forms of Dakota Johnson and Tilda Swinton. The new film has been directed by Italian Luca Guadagnino (Call Me By Your Name, A Bigger Splash, I Am Love) and shot by Thai cinematographer Sayombhu Mukdeeprom, whose 35mm work here is one of the film's high points.
Life, Kong Rithdee, Published on 31/10/2018
» Gearing up for Paramount's remake of Pet Sematary next year, let's take a look at Stephen King's classic work from 1983 and one of the scariest horror stories ever told. Dr Louis Creed gets a new job and moves his family to the small town of Ludlow, Maine.
Life, Kong Rithdee, Published on 26/10/2018
» The mother (or daughter?) of all antichrist misdemeanours returns. On Oct 31 -- Halloween night -- The Exorcist will soil the Scala with its ineffaceable green puke, God-denouncing expletives and Satanic rebellion led by Linda Blair, strapped to her bed and yet still cussing, hurting, levitating.
Life, Kong Rithdee, Published on 14/06/2018
» You know you're walking into a horror movie, but the brilliance of Ari Aster's Hereditary is the way it deftly hides its cards and stacks up mystery upon mystery, secret upon secret, madness upon madness, until everything unravels in demonic hellfire. The film ticks all the familiar elements of a ghost story -- a dead grandma, a spooky house, a grave robbery, a candlelit seance where spirits are summoned, a sleepwalker roaming the dim corridor, an occult sign written on the wall, a couple of headless corpses, etc -- but Hereditary rises above the genre formula with its coolly composed formalism, its deliberate pacing, and its sly psychological manipulation that almost convinces us at certain points that this is more of a domestic drama than a horror movie.
Life, Kong Rithdee, Published on 02/02/2018
» An eccentric love story between a woman and an amphibious creature, Guillermo Del Toro's The Shape Of Water has moved ahead to the front-runner spot in the Oscar's Best Picture, racking up the total of 13 nominations including the four acting categories. Del Toro's trick of turning B-movie grotesquerie -- interspecies sex, for instance -- into a darling of cinema bourgeois can still work wonders. And while this sweet and weird story isn't entirely unpredictable -- think mid-century beauty-and-the-beast flicks such as King Kong or, obviously, Creature From The Black Lagoon -- the director's imagination gives it an authentic vintage texture and enough doses of shocks and blood.