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Search Result for “steel industry”

Showing 1 - 10 of 27

OPINION

Living in Thailand's age of impunity

News, Kong Rithdee, Published on 17/01/2026

» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.

LIFE

And the winner is...

Life, Kong Rithdee, Published on 28/02/2025

» The words and the verdicts on Oscars 2025.

LIFE

2024 movie moments

Life, Kong Rithdee, Published on 17/12/2024

» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.

LIFE

A vintage year for Thai cinema?

Life, Kong Rithdee, Published on 25/12/2023

» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"

LIFE

The afterlife of Mitr Chaibancha

Life, Kong Rithdee, Published on 06/10/2023

» In an abrupt moment of life's brutal script, Mitr Chaibancha fell to his death from a helicopter ladder on Oct 8, 1970. He was filming Insee Thong (Golden Eagle), playing an anti-communist masked hero, when he slipped from the rung and plunged to the ground in Pattaya. That same evening, his body was transported to Wat Kae Nang Loeng. Thousands of people, unable to believe that Thailand's most famous actor was really, tragically dead, amassed impromptu at the temple and demanded that his corpse be raised from the coffin and shown to the public.

LIFE

The way I see it...

Life, Kong Rithdee, Published on 25/03/2022

» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.

LIFE

Time for Asean films to shine

Life, Kong Rithdee, Published on 08/12/2021

» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.

LIFE

BIFF unveils rich line-up

Life, Kong Rithdee, Published on 23/09/2021

» The Busan International Film Festival (BIFF) has unveiled the line-up for its 26th edition to take place on-site from Oct 6-15. Asia's premier gathering of film professionals aims to shake off pandemic-related uncertainties with a slate of over 190 titles, with the focus on Asian cinema as usual. Busan is also pushing for a wider definition of "film festival" by including, for the first time, television series as part of its official programme.

LIFE

Thai project wins at Doc By The Sea

Life, Kong Rithdee, Published on 15/09/2021

» An important gathering of documentary filmmakers in Southeast Asia "Doc By The Sea" this year had to move online, though it remains a rich, stimulating event that contributes to the documentary community in the region. Usually held in Bali -- thus the "by the sea" moniker -- DBTS this year was titled "Doc By The Sea Accelerator 2021", with a week-long event that ran from Aug 16 to Sept 4 consisting of workshops, masterclasses and pitching sessions for new documentary projects from around the region, while mentors also logged in from Europe, the US and Asia to give commentary and guidance.

LIFE

The Year of Great Reckoning

Life, Kong Rithdee, Published on 16/12/2020

» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.