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Search Result for “sergio alfonso mendoza cordova”

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LIFE

The world is on fire, but we still have the Oscars

Life, Kong Rithdee, Published on 13/03/2026

» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.

LIFE

Cinema of resistance wins at Cannes

Life, Kong Rithdee, Published on 27/05/2025

» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.

LIFE

Quentin's Hollywood, circa 1969

Life, Kong Rithdee, Published on 13/09/2019

» Not everything ended in the year 1969. Not every sunshiny starlet died gruesomely in her own Cielo Drive villa at the hands of crazed hippies. And not every potbellied actor, fading cowboy and washed-up stunt double bit the Hollywood dust kicked up by the changing of the guard and the closing of that heady decade. Not, at least, in Quentin Tarantino's affectionate, good-humoured, and surprisingly elegiac film about Hollywood and its oddball residents.

LIFE

Who is our Oscars Favourite?

B Magazine, Kong Rithdee, Published on 24/02/2019

» The most important of all unimportant things, the Oscars arrive on Monday morning, Thailand time. In a year that seems more muted than usual, Hollywood's biggest jamboree has striven to stay relevant with the inclusion of blockbuster titles such as Black Panther and Bohemian Rhapsody, besides the more edgy and less popular films that have claimed much of the headlines, such as Roma and Green Book. While there are many cinematic awards around the world, the Oscars still seem to matter the most, and the ritual of predicting the winners is at once a frivolous parlour game and an annual survey of the vital signs of mainstream cinema. Don't bet on it, but we offer our takes here.

LIFE

Strong field of films match up against Roma

Life, Kong Rithdee, Published on 25/01/2019

» Five films from five countries have been shortlisted for the Best Foreign Language Film at the 91st Oscars, with the winner to be read out on Feb 24 (morning of Feb 25 Thailand time). In a way, this is a no-brainer: Roma is a clear favourite, though that leads to another complication: with the Netflix-backed Mexican film also being nominated for Best Picture, can the beloved Roma win both categories? Not to mention that Alfonso Cuaron is also a front runner to win the Best Director prize, a likelihood that only widens the smile on Netflix's 2.35:1-ratio face (the film is still showing at House RCA, as well as on your Netflix account).

LIFE

Outstanding films of 2018

Life, Kong Rithdee, Published on 28/12/2018

» From the spiritual to the scary, many genres had quality offerings.

LIFE

Some Southeast Asian picks from the Busan International Film Festival

Life, Kong Rithdee, Published on 12/10/2018

» How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level?

LIFE

Hot from Toronto

Life, Kong Rithdee, Published on 21/09/2018

» Some highlights and award hopefuls from the film festival that will likely occupy the spotlight in the coming months

LIFE

Guilt and sin minus the politics

Life, Kong Rithdee, Published on 20/04/2018

» The squalor of Manila slums populated by high-school drug runners, then a chaotic precinct ruled by corrupt cops and even more corrupt chiefs -- these are the familiar turfs of Brillante Mendoza, the best-known Filipino filmmaker among international audiences.

LIFE

Modern-day creature feature

Life, Kong Rithdee, Published on 02/02/2018

» An eccentric love story between a woman and an amphibious creature, Guillermo Del Toro's The Shape Of Water has moved ahead to the front-runner spot in the Oscar's Best Picture, racking up the total of 13 nominations including the four acting categories. Del Toro's trick of turning B-movie grotesquerie -- interspecies sex, for instance -- into a darling of cinema bourgeois can still work wonders. And while this sweet and weird story isn't entirely unpredictable -- think mid-century beauty-and-the-beast flicks such as King Kong or, obviously, Creature From The Black Lagoon -- the director's imagination gives it an authentic vintage texture and enough doses of shocks and blood.