Showing 1 - 10 of 28
Living in Thailand's age of impunity
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Here's to all the useful ghosts of our history
Oped, Kong Rithdee, Published on 28/08/2025
» Ghosts are useful because they remind us of the unresolved, the unsettled, the unfinished -- in life, love, politics, or history. The film of the moment hitches onto that idea and takes it far, as far as the Cannes Film Festival, and now it has been picked as Thailand's representative for the Oscars.
Cannes 2025: What's on our watch list
Life, Kong Rithdee, Published on 13/05/2025
» The 78th edition of Europe's biggest film festival starts today. We take a look at some notable titles across different sections -- Competition, Un Certain Regard, Directors' Fortnight and Critics' Week -- including a Thai film.
Ripley strikes quite exquisitely, again
Life, Kong Rithdee, Published on 12/04/2024
» Just when you thought the original book was bled dry, its last drop of smouldering homoerotic blood squeezed and sucked by multilple movie adaptations, from Rene Clement (French) and Anthony Minghella (American) to Liliana Cavani (Italian), here comes Steven Zaillian's seven-episode Netflix series bluntly titled Ripley. Dusky and exquisitely coldblooded, the latest reworking proves that the Patricia Highsmith's 1955 novel The Talented Mr. Ripley is a living gift that continues giving after 69 years.
Coldplay across the universe
Life, Kong Rithdee, Published on 07/02/2024
» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)
Harry takes Bangkok in Styles
Kong Rithdee, Published on 13/03/2023
» The accessory du jour was the fluffy pink boa. The color scheme was hot pink - pink pants, pink boots, pink cowboy hats, pink eye-shadow, pink hijabs. Or if not pink, then anything in the tooth-aching shades of the rainbow. It was a lively, joyous sight on Saturday night, a show of hot-colored aesthetics in a defiant contrast to the brutalist concrete skeleton of Rajamangala Stadium. How I wish concrete-mad Bangkok could look like this every day!
Into the devil's lair
Life, Kong Rithdee, Published on 05/11/2021
» Like a session of cinematic séance, Rang Zong (The Medium) channels a cemetery-sized roll call of classic horror elements. The film, recently picked as Thailand's representative for the Oscar's International Feature, is proudly possessed by the ghosts of The Exorcist, The Blair Witch Project, the Paranormal Activity franchise, and Ari Aster's Midsommar, but with Southeast Asia's earthy voodooism, plus a serving of Korean-style blood-and-viscera gore as well as an icing of zombie scare-aesthetics. It's a full-course buffet of fright tricks, complete with an apocalyptic, 30-minute-long exorcism orgy that leaves no spell unuttered and no human unpossessed. All of this is couched in a faux-documentary setup, with handheld shots, grainy CCTV footage and characters speaking directly to the camera.
Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
A long crusade against healthcare woes
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.