Showing 1 - 10 of 11
The world is on fire, but we still have the Oscars
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
The Silent Film Festival keeps echoing
Life, Kong Rithdee, Published on 06/09/2024
» A rocket-bullet plunging into the Moon’s eye, its mouth pursed halfway between a sneer and a smile. You’ve seen it before, but it’s time to witness one of cinema’s most recognisable images from Le Voyage Dans La Lune (1902) in its colour glory at the 8th Silent Film Festival in Thailand, the annual banquet of early cinema hosted by the Thai Film Archive.
10 films to watch out for
Life, Kong Rithdee, Published on 16/05/2023
» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.
Of Naga and political dissidents
Life, Kong Rithdee, Published on 13/09/2021
» The Naga is real but the murder is not. Or is it vice versa? What history chooses to remember and relegate to oblivion, what it enshrines as story and what it buries as hearsay, is how the narrative of a nation is forged in a mould of clay or a furnace of fire. Or in this particular case, in disembowelled bodies stuffed with concrete blocks. The murder is real but the Naga is not. This sounds more like it.
Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
Melancholy and absurdity
Life, Kong Rithdee, Published on 14/05/2021
» Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India's Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
Chaiyaphum owed more than lost data
News, Kong Rithdee, Published on 11/08/2018
» In the age of video clips, one video clip is absent. At a time when we're inundated by cat clips, dog clips, accident clips, slap clips, brawl clips, grope clips, chase clips, murder clips -- when we even have clips recorded from the depths of a dark cave where light hardly reaches -- it's amazing that one crucial clip, shot in broad daylight, is missing, lost or made to be lost forever, along with transparency and maybe justice.
Where will the gongs go?
Life, Kong Rithdee, Published on 02/03/2018
» To me, the most accomplished film among the Oscar contenders is Paul Thomas Anderson's Phantom Thread, which means it's not going to win big. The film, which is in Thai cinemas now, stars Daniel Day-Lewis as a fastidious couturier whose obsessive quest for artistic perfection hits a snag when he falls in love with a waitress. It's an exquisite drama, a sophisticated study of human impulses, obsessions and contradictions, constructed with formal elegance to reflect the interior of a man's emotion through a story that takes place almost entirely in a townhouse.
Devotional aesthetics
Life, Kong Rithdee, Published on 07/02/2018
» Ustaz Suleiman dipped his brush in a bottle of ink and moved his hand over a piece of paper. His fingers nimble, his movement steady as if he was holding a breath, Suleiman drew a trellis of calligraphic elegance that spells the Thai name of our photographer in classical Arabic.