Showing 1 - 10 of 15
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Life, Kong Rithdee, Published on 28/02/2025
» The words and the verdicts on Oscars 2025.
Life, Kong Rithdee, Published on 17/12/2024
» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.
Life, Kong Rithdee, Published on 15/02/2024
» Two Middle Eastern tourists looked excited as they held up a phone to an exquisitely carved arabesque in Nasrid Palace at the Alhambra. No, they're not taking photos. They're comparing the Arabic text on their screen with the 8th century stone calligraphy. I hear them mumble in Arabic -- here's the translation:
Life, Kong Rithdee, Published on 19/05/2023
» After the lukewarm opening film -- Maiwenn's Jeanne Du Barry, a fluffy costume drama starring Johnny Depp as King Louis XV -- the 76th Cannes Film Festival had its hottest ticket in a short film. Not just any short though: it's Pedro Almodovar's queer cowboy movie Strange Way Of Life, which saw patient festival-goers queuing up in the Rivera drizzle for nearly an hour to fill up even the worst seat of Salle Debussy on Wednesday.
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?
Life, Kong Rithdee, Published on 23/09/2021
» The Busan International Film Festival (BIFF) has unveiled the line-up for its 26th edition to take place on-site from Oct 6-15. Asia's premier gathering of film professionals aims to shake off pandemic-related uncertainties with a slate of over 190 titles, with the focus on Asian cinema as usual. Busan is also pushing for a wider definition of "film festival" by including, for the first time, television series as part of its official programme.
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
Life, Kong Rithdee, Published on 21/05/2019
» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?