Showing 1 - 10 of 63
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Life, Kong Rithdee, Published on 04/04/2025
» In Grand Tour, Miguel Gomes' beguiling travelogue set in 1917, a British diplomat in Burma journeys across Southeast Asia, hopping from country to country, to avoid an encounter with his fiancée. Edward (Gonçalo Waddington) is a colonial officer who, struck by an inexplicable premonition or a case of cold feet, decides to flee Mandalay just before his sweetheart Molly (Crista Alfaiate) is due to arrive. He boards a ship to Singapore, then a train to Bangkok -- it derails on the way, but still makes it -- and onwards to Saigon, Manila, Osaka and Chongqing. Molly, pursuing him, would repeat a more or less similar route.
Life, Kong Rithdee, Published on 17/12/2024
» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.
Life, Kong Rithdee, Published on 06/11/2024
» Materials, objects, found items -- Prach Pimarnman's art is based on the strict conceptualisation of those elements. Raised in Narathiwat, with a family both in Bangkok and the southern province, Prach has investigated Deep South questions conditioned by a fraught, unsettling history and its contemporary aftermath. His works are grounded in the subtlety of texture -- teacups, cement, barbed wire, quilts sewn by local housewives -- and invites reflections on more than one level.
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
Life, Kong Rithdee, Published on 12/04/2024
» Just when you thought the original book was bled dry, its last drop of smouldering homoerotic blood squeezed and sucked by multilple movie adaptations, from Rene Clement (French) and Anthony Minghella (American) to Liliana Cavani (Italian), here comes Steven Zaillian's seven-episode Netflix series bluntly titled Ripley. Dusky and exquisitely coldblooded, the latest reworking proves that the Patricia Highsmith's 1955 novel The Talented Mr. Ripley is a living gift that continues giving after 69 years.
Life, Kong Rithdee, Published on 08/03/2024
» The annual guessing game to read the minds of inscrutable Oscars voters is here.
Life, Kong Rithdee, Published on 15/02/2024
» Two Middle Eastern tourists looked excited as they held up a phone to an exquisitely carved arabesque in Nasrid Palace at the Alhambra. No, they're not taking photos. They're comparing the Arabic text on their screen with the 8th century stone calligraphy. I hear them mumble in Arabic -- here's the translation:
Life, Kong Rithdee, Published on 16/05/2023
» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.