Showing 1 - 10 of 16
Kong Rithdee, Published on 22/05/2025
» CANNES — The Thai film Pee Chai Dai Ka (A Useful Ghost) has won the Grand Prix at Critics’ Week, a parallel section of the Cannes Film Festival, becoming the first Thai film to ever win the prize.
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
Life, Kong Rithdee, Published on 21/05/2021
» She came, she provoked, she burned, she left pools of blood and bits of brain on the school yard while laughing her pretty head off all the way to purgatory. She's Nanno, the demon child with Lolita's freckles and the Joker's face-splitting grin. She's the headline girl from the hit Thai series Girl From Nowhere which, since the May 7 release of its Season 2 on Netflix, has made it to the top-10 chart in many Asian countries and summited the algorithm in Thailand, Vietnam and the Philippines. In China, the series' hashtag was for a time trending on Weibo (Nanno's Thai school uniform also inspires Chinese cosplayers).
Life, Kong Rithdee, Published on 23/12/2020
» Montien Boonma's death in 2000, at the age of 47, was perhaps the saddest episode ever felt by the Thai contemporary art circle.
Life, Kong Rithdee, Published on 18/03/2020
» The two-channel video work by Ampannee Satoh begins with specks of light and ends, naturally, with darkness. Two cameras were attached at the bow and stern of a fishing boat, purportedly the same type used by Rohingya refugees when they fled whatever was hounding them into the sea. The images they captured are wobbly, disoriented, seasick-inducing, and for 20 minutes they simulate the experience of being lost at sea in the middle of the night -- the experience of displaced people unmoored in the lightless sea.
Life, Kong Rithdee, Published on 13/12/2019
» Some arrived by boat, others by air. Some came when the British still ruled their homeland, others were driven by the bloodshed of The Partition. Some came with numerous gods, others with the one and only Allah. Some came from near Bombay, others from in and around Madras. Some came with the intention of returning, others arrived knowing that there was no going back.
Life, Kong Rithdee, Published on 13/03/2019
» Fate clicks its fingers and an already poignant piece in Navin Rawanchaikul's "Revisited Departed" becomes the exhibition's most moving. It's a photograph of the artist as he guides his ageing father's fragile hand around a metre stick -- an indispensable tool of trade for any fabric-wallah -- fronted by a group of clay moulds sculpted from the imprints of his father's hand.
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
Life, Kong Rithdee, Published on 19/10/2018
» Two idiosyncratic filmgoing options for fans of Thai cinema — one classic, one contemporary