Showing 1 - 10 of 27
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Andalusian dreams
Life, Kong Rithdee, Published on 15/02/2024
» Two Middle Eastern tourists looked excited as they held up a phone to an exquisitely carved arabesque in Nasrid Palace at the Alhambra. No, they're not taking photos. They're comparing the Arabic text on their screen with the 8th century stone calligraphy. I hear them mumble in Arabic -- here's the translation:
The way I see it...
Life, Kong Rithdee, Published on 25/03/2022
» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.
It's alive!
Life, Kong Rithdee, Published on 21/12/2021
» Doomsayers will have to hold out a little longer. Cinema -- as in people sitting in the dark taking in a communal experience of audiovisual sensations -- is still breathing, moving, enlightening.
Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
Come and see (no need to pray)
Life, Kong Rithdee, Published on 06/04/2021
» In an ordinary democracy, a film like Ehipassiko (in English, Come And See) shouldn't have had the least bit of worry about the possibility of being banned. The subject itself initially provoked the censors' impulse: this is a finely-tuned, patiently observed documentary about the controversial Wat Dhammakaya and the dramatic 2017 siege of the temple.
In School Town King, the kids are not all right
Life, Kong Rithdee, Published on 01/01/2021
» There's a sense of immediacy in School Town King, a Thai documentary about two teenage rappers from the Klong Toey slums. On the surface, this is an advocacy film, one that patiently follows the two underprivileged ghetto boys with an unorthodox dream and their misadventures in Thai schools. But what makes School Town King feel urgent is its exposé of structural narrow-mindedness and the ideological straightjacket that leaves no room for kids who do not fit the mould. The conservative school policy, the film suggests in its visual clues and off-the-cuff asides is a chronic condition that has worsened by the arrogantly old-school regime of past years. In the year of Bad Students and Free Youth upheaval, School Town King is a deafening confirmation that the kids are not all right -- and it's surprising only for ignorant adults why they no longer want to put up with it.