Showing 1 - 9 of 9
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Time is not on anybody's side
Life, Kong Rithdee, Published on 15/10/2021
» There's the anatomy -- the bone and the flesh, supple or flaccid. Then there's time, the cruellest judge of all. In Jakrawal Nilthamrong's Anatomy Of Time (the Thai title is simpler, Wela), the first sound we hear is a tick-tock metronome like the soundtrack of the cosmos as we watch an old lady gently tending to her tubed and bedbound husband. Time will be folded back. The old woman will become young and her dying husband will appear as a spirited, dashing military captain fighting communist insurgents for the good of the nation.
To dump or not to dump
Life, Kong Rithdee, Published on 31/12/2019
» The title of a new Thai film is a bilingual wordplay: How To Ting is literally translated as "how to dump". That, I think, is sharper than its tired official English title, Happy Old Year. To dump or not to dump -- things and people, mementos and memories -- that is the question. In the film, a young designer who's dressed like a Muji model, and who has just returned from studying in the minimalist-paradise Sweden, plans to dump all useless objects from her maximalist Bangkok house, where she lives with her mother and brother, and to turn it into an all-white, supremely sparse and unapologetically decluttered interior nirvana -- a home office lifted straight from a Scandinavian style book.
An imperfect world
Life, Kong Rithdee, Published on 21/05/2019
» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?
Fierce and pitiful
Life, Kong Rithdee, Published on 20/03/2019
» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.
Image is everything
Life, Kong Rithdee, Published on 15/05/2018
» Cinema, Jean-Luc Godard said via FaceTime, is X+3 = 1. The X, of course, is -2.
Mahathir's win shows voting works
News, Kong Rithdee, Published on 12/05/2018
» This week all my friends went to vote. In Malaysia, of course.
Hear her roar!
Life, Kong Rithdee, Published on 12/04/2018
» Katy Perry, pixie-haired and ever ebullient, roared through her second appearance in Bangkok on Tuesday night with professionalism, humour and ease. This pop-spectacle is as much a visual experience as it is an aural one -- in fact, the visual overwhelmed our attention for the most parts of the 120-minute gig. The stage -- and wardrobe -- dripped with red at one point, shimmered with silver at another, and Perry's team deployed a full arsenal of wacky props, girlish delight and zany sight gags. We even had a fart joke at one point, perhaps the first I ever heard live on the stage from Impact Arena. Perry's appeal cuts a broad swathe across the demographic, and we had a rainbow of humanity thronging the hall: office types, teenagers, party animals, hipsters, Cosplay queens, the LGBT camp, celebrities, people who think they're celebrities, girls in candy-coloured wigs, parents and children -- I mean, first-graders and stuff, lots of them in fact, arriving in cheerful anticipation and looking tired when the proceedings advanced past 11pm. In all, it looked like a cross section between the crowd at a Madonna gig and Disney On Ice. Such is the strange pull of Perry.
Edward Yang classic headlines Taiwan Film Festival In Bangkok
Life, Kong Rithdee, Published on 11/01/2018
» Eight films will be shown at the Taiwan Film Festival In Bangkok 2018, which runs from Jan 17-23 at Quartier Cineart, EmQuartier. Besides a selection of new films, cinema lovers will certainly jam the screening of the 1991 film A Brighter Summer Day, a classic from the late Edward Yang and definitely one of the best Chinese-language films ever made.