Showing 1 - 6 of 6
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Deep in the paradox
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?
The way I see it...
Life, Kong Rithdee, Published on 25/03/2022
» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.
Through the looking glass
Life, Kong Rithdee, Published on 15/02/2019
» Tish Rivers, the woman in James Baldwin's novel If Beale Street Could Talk, muses to the reader in the book's first pages: "I hope that nobody has ever had to look at anybody they love through glass."
Dream, murder and reality
Life, Kong Rithdee, Published on 18/05/2018
» The 11-day Cannes Film Festival will close tomorrow, and as the race for the Palme d'Or is the most breathtaking in years, we look at some of the highlights of the second week of the world's largest movie festival
Devotional aesthetics
Life, Kong Rithdee, Published on 07/02/2018
» Ustaz Suleiman dipped his brush in a bottle of ink and moved his hand over a piece of paper. His fingers nimble, his movement steady as if he was holding a breath, Suleiman drew a trellis of calligraphic elegance that spells the Thai name of our photographer in classical Arabic.