Showing 1 - 6 of 6
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
And the winner is...
Life, Kong Rithdee, Published on 28/02/2025
» The words and the verdicts on Oscars 2025.
Asean Film Festival is finally here
Life, Kong Rithdee, Published on 28/03/2024
» Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.
Les Miserables: The simmering rage of Paris
Life, Kong Rithdee, Published on 17/05/2019
» Cannes Day 2 witnesses the rage of Paris -- not the yellow wrath of gilets jaunes, but the brown-and-black anger of rundown suburbs that makes up the complex social structure of modern France.
Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
Modern-day creature feature
Life, Kong Rithdee, Published on 02/02/2018
» An eccentric love story between a woman and an amphibious creature, Guillermo Del Toro's The Shape Of Water has moved ahead to the front-runner spot in the Oscar's Best Picture, racking up the total of 13 nominations including the four acting categories. Del Toro's trick of turning B-movie grotesquerie -- interspecies sex, for instance -- into a darling of cinema bourgeois can still work wonders. And while this sweet and weird story isn't entirely unpredictable -- think mid-century beauty-and-the-beast flicks such as King Kong or, obviously, Creature From The Black Lagoon -- the director's imagination gives it an authentic vintage texture and enough doses of shocks and blood.